Over the past five years, the World Media Awards have gathered and celebrated the very best international, content-led marketing campaigns – benchmarking the best work by global brands and tracking the increasing levels of creativity and effectiveness. As we head towards the deadline [20 May] for this year’s Awards and prepare for the judging, we’ve been asking our 2021 Jury what they believe are the essential ingredients for great content marketing.

1. Start with the consumer insight

This might seem to be obvious, but as Katharine Swarney, head of marketing communications for Nissan France says, “Start from a customer insight or truth to make sure you connect with your audience. Knowing your audience will also guide all media decisions”. Our Jury co-chair, Fabio Mancone, chief branding officer for Lombard Odier Group, adds that insights need to be about more than the consumer to be of real value – it’s also about where the brand can connect. As he says, “Successful content strategy connects customer value with business value. It starts with deep audience understanding, in having empathy, and connecting with passion points and interests”.

2. Develop a meaningful narrative

What do we mean by a “meaningful narrative”? Ruby Wight, creative lead for campaigns and partnerships at Burberry defines this as “An underlying story that resonates with the audience and the world they live in today”. Matthew Wellington, global investment director for The Financial Times agrees that it’s all about connections – and he’s also clear on what it’s not, “Advertising cannot be dictatorial; shouting at people doesn’t work. Content advertising offers a space for companies to showcase what makes them special – what unique benefits and advantages they bring to the audiences they intend to reach”. Our jury’s advice is to focus on this narrative first, and the content medium second. Denise Burrell Stinson, head of Brand Studio for The Washington Post says, “Sometimes people get stuck on using cutting-edge creative formats like 360 visuals or video just for the sake of using them, when another approach would have worked. But if you stick to a story-first approach, I believe you increase your chance at success”.

3. Get the right balance between the unexpected and the “on brand”

79% of those who responded to The World Media Group’s Future of Content Marketing survey in 2020 believed that investment in content marketing would continue to grow – and despite all the challenges of the past year, 23% of the advertisers who responded to our 2021 survey were increasing investment. So even if you have a meaningful narrative, how do you ensure it stands out from the crowd? Ruby Wight believes that to achieve that cut-through, you need “An execution that feels different from what is conventional in the category, something that feels unexpected and new.” Katharine Swarney urges advertisers and their creative teams to approach the brief with an open mind, adding that, “Some of the best content I have ever done came from creative proposals that seemed completely crazy at first but through development went on to become outstanding campaigns”. But just as Denise emphasised story over format, our jury would stress that crazy-for-crazy’s sake is not going to give you that cut-through on its own – Katharine added that, “you need to be authentic about your brand values and not try to act like a brand you are not”.

4. Add value for your audience

It’s all about making those connections between the audience’s interests and needs and where your brand can add value. “Adding value to a consumer’s life is key; treating your audience with respect; surrounding them but not in a way that feels forced; being clear what problem you are solving” all add up to the right approach, according to Elliot Moss, partner and director for business development at Mishcon de Reya. A number of our jury stressed the value of context – as Fabio Mancone put it, your storytelling should “seamlessly fit into the spaces the audience comes into contact with it”. If you can get the balance right between delivering the unexpected, embedding this in authenticity, and offering real value, then you should achieve your ultimate objective which should be, according to Ruby Wight, to start a conversation, “When your audience sees this content they should want to forward it to a friend, immediately!”

5. Ensure the whole team understand the objectives!

Being clear on your objectives before you start is our final tip – content marketing can raise brand awareness, change brand perceptions, stimulate purchase, reinforce brand loyalty…. And each objective requires a different approach. Denise Burrell stresses that the whole team [client, agency, media owner] need to be on the same page, “All people on a creative team should embark on their projects with a clear understanding of KPIs and what their piece is meant to achieve. Is it shifting audience sentiment, or raising awareness of an important event?”.

I’ll leave the last words to our Jury co-chair, “Successful content strategy connects customer value with business value. It starts with deep audience understanding, in having empathy, and connecting with passion points and interests. It then finds a credible role for the brand that adds genuine value to your audience’s life whilst at the same time, tells the brand story in a way that drives outcomes for the business.”

If you feel you have achieved that over the past year, then we’d love to hear from you! Find out more about how to enter the World Media Awards HERE.

80% of advertisers are committed to an ESG strategy or UN Sustainable Development Goals 

The World Media Group, a strategic alliance of the world’s leading media brands, today released its annual report: What’s Next for Content-Led Marketing? The survey, which questioned key influencers across advertisers, agencies, media brands and consultancies, explored the impact of the pandemic on advertising and how brands will adapt their storytelling after a particularly challenging year.

Increased focus on Social Good

It appears the crises of 2020 have led brands to reconsider their approach to Social Good and how it fits into their creative strategy and content-led communication. Eighty four percent of all respondents believe that it is now more important and more effective for brands to align themselves with social issues and messaging. This is reflected in the fact that 80% of advertisers said their organisation is committed to working towards the UN Sustainable Development Goals and / or actively pursuing an ESG [Environmental-Social-Governance] focused strategy.

Almost two thirds (63%) of media owner, agency, and consultant respondents said they were seeing an increase in demand for creative solutions that communicate the client’s approach to meeting ESG goals. Fifty three percent of advertisers are leading with their ESG strategy in marketing communications to consumers, whilst 24% plan to. Seventy one percent of advertisers believe that brands which are able to lead with credible and authentic storytelling related to ESG issues have a competitive advantage.

However, respondents were quick to caveat that brand authenticity was essential when communicating around ESG issues, and that simply jumping on a hot topic or trend was no longer acceptable. Instead, ‘proof points of real-world actions’ are required to demonstrate that it is not just a marketing tactic.  

An authoritative and trusted environment for storytelling

When sharing their opinions on how brands, media owners and agency teams can add impact and effectiveness to storytelling around these issues, two thirds of all respondents (67%) believe that using the voice of experts is an important factor. Sixty two percent believe that storytelling should be positioned within an authoritative journalistic environment, and this number increases to 71% amongst media owners, agencies, and consultants.

When asked about the best platforms to invest in when sharing or amplifying brand storytelling in 2021, all respondents agreed that the three key areas for investment would be the brand’s own channels, trusted digital media channels and paid social media channels. 

Commenting on the survey, Damian Douglas, President of the World Media Group and Managing Director, EMEA at TIME, said, “The pandemic has given us all the opportunity to consider what’s important and consumers are looking for brands that are aligned with their own values. When an organisation has a credible ESG story to tell, content-led communications in the right media environment can help influence genuine social change – but it has to be authentic. Consumers are no longer willing to accept empty gestures.”    

Audio predicted to be a key content trend

When asked to predict the most exciting trends in content-led marketing over the next two years, the most frequently cited response was the continued growth of podcasts and audio formats. Respondents also expected the legacy of the pandemic to drive an increase in online brand activations. Finally, there was a divergence of opinion around “humanifying” marketing, with some respondents suggesting a need to make it more personal, while others favoured a trend towards AI-generated content.

The research was carried out by the World Media Group, whose members include The Atlantic, BBC Global News, Bloomberg Media Group, Business Insider, The Economist, The Financial Times, Forbes, Fortune, National Geographic, Reuters, The New York Times Company, Time, The Wall Street Journal, The Washington Post, to provide context for the World Media Awards for cross-border, cross-channel content campaigns, which close for entry on 20th May 2021. The full report can be downloaded here.

## ENDS ##

Media contact:

Charlotte Panther
07834431206
charlottepantherpr@gmail.com

About the research: The World Media Group carried out the online survey between 11 January and 19 February 2021 to advertisers, media owners, and agencies with international communication remits. 325 responses were received, with 80% of delegates having worked on content-led campaigns designed to target multiple countries and with global responsibility.

About The World Media Group
The World Media Group is a strategic alliance of leading international media organisations that connects brands with highly engaged, influential audiences in the context of trusted and renowned journalism. Its members include The Atlantic, BBC Global News, Bloomberg Media Group, Business Insider, The Economist, The Financial Times, Forbes, Fortune, National Geographic, Reuters, The New York Times Company, Time, The Wall Street Journal, The Washington Post, and associate members: Moat and Smithsonian.

 

TIME’s Damian Douglas Confirmed as the New World Media Group President

London, Thursday 28th January, 2021: The 2021 World Media Awards (WMAs) have opened for entry today, offering nine categories to recognise the best in cross platform, cross border, content-driven advertising. This year includes a new award for Social Good, which recognises the potential for brands to combine storytelling with corporate action to influence social change around issues such as sustainability, the environment, poverty, and diversity and inclusion.

Hosted by the World Media Group, a strategic alliance of global publishers that promotes award-winning journalism and the role of international media, the WMAs are now in their sixth year. Leading the World Media Group this year are Damian Douglas, Managing Director EMEA at TIME, who takes on the role of President, and Gordana Buccisano, EVP Global Client Transformation, Havas Media Group, the WMG’s Non-Executive Chair. They will be supported by two Vice Presidents, Emma Winchurch-Beale, International Sales Director at The Washington Post, and James Davies, Strategic Account Director, at Thomson Reuters.

The WMAs are the only awards to celebrate the collaboration between brands, agencies and media partners to create powerful international content campaigns, and are free to enter*. In addition to presenting awards to category winners on the night, the WMAs amplify the winning entries in a worldwide advertising campaign valued at more than €650k. The winners’ ad campaign runs across the World Media Group’s leading international media brands comprising The Atlantic, BBC Global News, Bloomberg Media Group, Business Insider, The Economist, The Financial Times, Forbes, Fortune, National Geographic, Reuters, The New York Times, Time, The Wall Street Journal and The Washington Post.

“Every year, the WMAs demonstrate the power of international content-driven advertising to tell stories across channels and borders,” said Damian Douglas, President of the World Media Group and Managing Director, EMEA, at TIME. “2020 has given rise to the more socially conscious consumer and we believe brands have a crucial role to play in this new values-led world. We’re delighted to be adding a new category for ‘Social Good’ this year and I look forward to seeing how brands are using content to influence social change.”

Last year’s winning entries included Grand Prix winners, Sonos, along with Astana International Financial Centre, Electronic Arts, Levi’s, Samsung, Tech Mahindra, Tourism Australia and Volkswagen.

How to enter: Entry to the WMAs at https://worldmedia.awardsplatform.com/ is free to advertisers and agencies although entrants are invited to make a voluntary donation to Reporters Without Borders.  Advertisers and media owners and their media, PR and creative agencies can enter all categories. Campaigns must have intentionally targeted audiences in at least three countries and 75% of activity needs to have been implemented between January 2020 and March 2021. There is no requirement for campaigns to have run in any of the World Media Group brands. The closing date for entries is 20th May 2021.

Judging: To reflect the importance of collaboration in creating successful international, content-driven advertising campaigns, the independent jury is made up of heavy-weight judges from brands, agencies and media owners. You can find out more about this year’s judges here.

Categories: This year there are nine Award categories open for general entry, along with the Content Leadership & Innovation award, which invites nominations from WMG members. The jury will select the Grand Prix from amongst the category winners, as follows:

  • Automotive
  • Brand & Media Owner Partnership
  • Corporate Influencer
  • Financial Services
  • Lifestyle & Luxury
  • Media & Entertainment
  • Technology & Telecoms
  • Travel & Tourism
  • Social Good

Awards event: The winners will be announced at an exclusive live ceremony (or a virtual event, should Covid restrictions necessitate it) on Thursday 9th September 2021. Shortlisted entrants will receive two free tickets to join the celebration as guests of the World Media Group, and additional tickets will be available for purchase.

*Awards cost £195 per entry for non-member media owners.

Yesterday, members of the World Media Awards judging panel and the creators of this year’s Grand Prix winning entry for Sonos came together for our Awards Masterclass to discuss what it takes to create an award-winning content campaign. Here are 10 top tips from our expert panel to ensure your content campaign rises above the fray and makes its mark on the judges.

1. Outline your challenge with laser focus

“Make sure the challenge is absolutely precisely outline before leading on to the creative solution and the media partner or channel choice. Clearly articulate the challenge, because that lays the foundation of everything that follows.” –  Christoph Woermann, CMO, Corporate Bank, Deutsche Bank.

According to Christoph, two entries that demonstrated this perfectly were Volkswagen: For the Many,Not the Few – The ID.3, winner of the Automobile category, and Levi’s: What Does Performance Mean to You, winner of the Luxury, Lifestyle & Fashion category.

2. Deliver your pitch with passion

“Make us believe it’s a winner from the minute you start speaking. First, tell us what the challenge was and how you solved it. Secondly, talk about the power of media and message, and how the entire campaign becomes an interesting experience for the consumer. Thirdly, prove it’s a credible solution with relevant KPIs. Lastly, tell us why it mattered. Why would a consumer genuinely enjoy experiencing what you’ve created?” – Kate Ivory, Group Managing Partner, Head of Strategy, OMD EMEA

Kate described Tourism Australia’s pitch for ‘From Country. To Company’ as one that was delivered with passion and power, creating a story that was really compelling to listen to.

Brooke Steinberg Global Planning Director, Vizeum, who is part of the award-winning Sonos pitch team agreed:

“Have fun. You’re showcasing work that you’re proud of, so express that, whether it’s verbally, in written form or in a video.Find ways to showcase your passion and the great times you’ve experienced working on the project.” 

3. Put the judges in your shoes

“It’s all about storytelling,” said Jamie Credland, SVP, Client Strategy & Marketing, The Economist. “And to tell a good story, you need to take us on a journey of here’s this insurmountable challenge, this difficult, terrible adversity you’re facing, and the smart ideas and hard work you came up with to overcome it.”

Jamie gave the example of Astana International Finance Centre’s winning entry for ‘My Kazakhstan’, which starts by asking, “What do you know about doing business in Kazakhstan?” immediately putting the judges into the shoes of the agency and the media owners who were working on this huge challenge.

4. Less is more

All the judges agreed that the Sonos team, represented by Brooke Steinberg, Global Planning Director at Vizeum and Gabriella Manzini, Global Account Director, Vizeum, had absolutely nailed their three-minute video pitch for Sonos’s ‘Brilliant Sound at the Intersections of Culture and Cool campaign. Gabriella’s advice:

“Be concise; you can’t tell the whole story. You can’t talk about every single execution. So really draw out the key steps that helped you to tackle the challenge – the insight, the execution. And the results really have to reflect what the challenge was.”

Christoph Woermann’s advice is to strip away anything you don’t need. “Always think, less is often more. Less text, less variety, less goals to achieve. Less is more. Focus, and you will be a winner.”

5. Brand, agency and media partner relationship must be seamless

Our experts were impressed by the completely seamless, integrated team of brand, agency and media partners on the Sonos campaign .According to Johan Jervoe, Chief Marketing Office, UBS, that doesn’t happen overnight. Creating a well-oiled content marketing machines takes time:

“It takes for your own brand team to understand what works, where you get content, who the expert is. It takes time to understand what the insights are and how that translates into aesthetics. And then measurement – finding the right media partner, the right channels and the right format on those channels.”

Jamila Saidi, Head of e-Commerce Marketing, DIT UK Gov, cited another seamless example in Samsung’s campaign “TV is Making History Again’:

“A combination of three things really made the award stand out above and beyond the others: the brand synergies with CNN and astronaut Scott Kelly; the integration of the message, the messenger and the channel delivering it; and the timing – the 15th anniversary of the moon landings.

6. Use audience insights to solve human problems

According to Jamie Credland, the human element of audience insight is often overlooked. “When it comes to an audience insight, these are people with business problems, personal problems, family problems, all kinds of challenges in their lives. And the best campaigns were the ones that tried to bring that challenge to life.”

He gave the example of Tech Mahindra’s winning Corporate Influencer campaign, ‘In the Future’ which talked about the number of people who believe analytics is absolutely key to their business, yet only 10% felt their company currently did it. “That talks to a certain anxiety among senior executives – treating the audience like human beings is really, really important.”

Kate Ivory agreed that Tech Mahindra had cleverly used the insights to develop a real solution, an efficiency index that allows executives to test the organisation’s performance against industry leaders. “They identified a problem, and they created a tool that was of genuine value back to the consumer. That’s the power of insights – to genuinely develop solutions.”

7. Be authentic.

Jamila Saidi reiterated the important of being authentic:“People see through the fluff, when you’re doing something for the sake of it or when you’re jumping on the bandwagon.”

It ties in with having your pulse on your customer base and really understanding your audience. She used Electronic Arts’ FIFA20 ‘Play Wrong’campaign, winner of the Media & Entertainment, category as an example”

“They did a fantastic job with their segmentation, really tapping into their audiences to understand them (it was a very different audience than they’re used to), which made everything so much more authentic, locally relevant and really believable. This made the storytelling even more compelling.”

8. Remember, judges are people too!

An important tip from Jamie Credland: ‘Tactically, when you’re writing your entry, remember, judges are people too and they respond to stories in the same way that your consumers do. So,get the judges emotionally engaged with your entry, and you’ll go a long way.”

9. Be prepared to throw it all away

Kate Ivory’s advice to ensure you’ve created an award-winning campaign:

“When you’ve gone through the process of creating your campaign, you’re about to hit go on buying the media, creating the content, just step back. Put yourself in your consumer’s shoes, the person that’s going to experience every element of this, and ask yourself, if you’re them, is it of any value? And if it isn’t, be prepared to put it in the bin and start again, because there’s too much clutter out there.”

 When the judges are going through the award entries, it’s the ones that offer real value that float to the top.

10. Be brave

As winner of this year’s Content and Leadership Award, it’s fitting Johan Jervoe gets the last word on how to create exemplary content-driven campaigns. Johan’s advice: “Be brave!”

VIEW WEBINAR

Now lockdown measures have been loosened and consumers are hungry to return to ‘normal’ life, is this the right time to invest more heavily in marketing? And if so, are there any pitfalls brands need to consider before doing so?

I strongly believe, that investing in your brand awareness now is an opportunity you should not miss. Let’s all remember what brands are for: brands are holding devices of prior experiences for the user. Brands that are communicating during a crisis give stability and visibility and a certain comfort to their users – and that’s what consumers have been looking for here.

As a financial services brand – UBS is a wealth manager, the number one retail bank in Switzerland, and we have an investment bank and asset manager – we have seen markets going up and down in parallel with the pandemic and have had movements that have been almost unheard of. We’ve seen clients across the entire world seeking advice in these uncertain times.

In addition, you also owe it to your advertising partners, both the ones that are selling your space as well as the ones that are creating your creatives. We are part of an ecosystem. So, yes, this is the time you keep spending if you can.

 How do you feel the advertising industry will bounce back after the crisis?

I think some of it will bounce back identically. But it’s clear to me that the new normal will be quite different to what we perceived being normal in the past. Nothing will be the same but particularly high-quality brands will stay and adapt.

Change usually comes with opportunities. Just to give you one example: to stay in contact with our clients, virtually, in some markets almost daily, we have used our relationship with The Economist to promote our content library of 50 years of Nobel Prize winners. Now what’s interesting is that we asked Stiglitz, the Nobel Prize winner, to come in and give his opinion to a group of asset manager clients, and one-third of our global clients dialled in. This is a tremendous increase in terms of efficiency and effectiveness in how we bring thought leadership to our clients.

The financial services sector is not one known for brand bravery or innovation – how have you ensured that extra spark of creativity to ensure your brand stands out?

 Banking is actually a very innovative business, and very forward looking, picking up on shifting client demands. People may come in with a business case: “You buy a pair of shoes and I’ll donate another pair to someone somewhere else in the world who is in need of a pair of shoes.”

A banker who supports this idea, has an innovative client focus. And if you keep that same positive spirit in marketing teams, it is driving innovation. Seeing a virtual client event with strong client demand working, empowers the team to drive creative ideas even if other ideas might fail.

It’s also making sure you have the best people on all sides of your business –in your marketing team, with your agency partner, and your media organisations and media owners, and making sure that creativity feeds off each other all the time.

 What are the specific challenges in for the Finance Sector?

We are highly regulated. Disclaimers are often bigger than the ad itself. That limits what you can say, what you can do, the way you can say it, and in what way you can offer up a service, which is very different from other industries.

How does that level of regulation affect content marketing campaigns?

Churchill said, “If you’re going through hell, keep going.” And that’s how it feels. What you have to do is optimise the content so that it’s relevant and uniquely interesting – that stickiness is first and foremost. A couple of film studios have analysed that over the years, and if the movie is really great, you’re willing to look at it in black and white, or with a somewhat snowy picture, because you really like the content. This is very similar. If you think the content is worth it – take the example of interacting with Stiglitz– I’m willing to click that I’m aware that this is a bank in order to access that content.

Why do you think there’s been a growth in content-led advertising campaigns?

It goes back to relevance.When we relaunched the UBS brand in September 2015. We saw across all our media partners, a huge amount of click through. I remember we thought the click through formula was maybe misleading; that it was capturing a too long and too large engagement –it was many-foldmore than the average click through rate. What we discovered is that when people take a magazine or website like The Economist, Forbes or Fortune in their hands, they want to be in that moment and have some “me time” for a half an hour, an hour. The same was true for our campaign. It’s deep diving knowledge, reading, and exchange. If you see content that fits into that, you’re in the right mindset and therefore more people will click through. If content is king, context is queen.

You need to find the DNA of what is your uniqueness for your user base, what are they looking for, and how to serve that up in such a way that is understandable and digestible – I think that’s the difficult part for many banks and financial services.

The advertising headline that has worked the best over the last six months or so is: “Is the world always going to be as unpredictable as now?” And you can see why that’s relevant. You can see when it comes to our wealth managers that they might know more than I do, and I want to know about that for my portfolio. So, get the content right; get the level of excitement into a headline, and then people should be interested in what you have to tell them. Whether that’s a video or piece of copy, they won’t click away.

What are the biggest changes that you’ve noticed in content over the last five years and what sort of trends do you expect to see in the coming years?

Shorter formats, I would say is probably the biggest surprise. Because if you really believe in content then 7, 8, 9, 10 minutes gives you a good angle to a story – but that’s not necessarily true anymore. Then you look at podcasts which are about 20 minutes. It really depends on the situation you’re consuming in, and I think it’s safe to say it’s now predominantly a mobile world, so we’re seeing shorter formats and more informative content.

There’s a universal appetite to consume what you want to consume, however you want to consume it. If I’m on a mobile phone watching something and I want to ask questions, I want to be able to type if I’m in a public area, because I don’t want to speak, for example, about finances. If I’m at home, however, I might want to speak to the bot and want the bot to speak back to me. So, I think the world will move to a “type, a touch and a talk” format, regardless of the device in the next five years.

Part of the reason you were nominated for the award was to do with what you’re doing with best practice in terms of measurement – viewability, metrics, accuracy and audience targeting. How does that apply to content-driven advertising?

When you’re targeting wealth managers – perhaps only 1% of the world’s population, there’s a 99% chance that your advertising will go somewhere else. You get really good, along with your media partners and your agency, at optimising. This is not a short conversation; it’s an ongoing opportunity. And actually, it was always there – I remember when I worked for McDonald’s around the world, you would optimise your billboard campaigns for example, if there was a construction site in front of your ad so you couldn’t see it. You would optimise from flight to flight because things would change in the streets. This is similar; it’s constantly being on top of your numbers.

It’s first and foremost about your content. Think about social media: I might share something with you if it’s hilariously stupid, or if it is sensationally insightful. Anything in between, I probably won’t. The context is as important: where you place your advertising, as well as the people you reach. And the timing needs to be right. There are times when people are not looking at banking advertising – there’s a reason why most banks have quarters that are differently sized. When fitness clubs’ campaigns are being signed off, it’s normally January when people have made that New Year’s resolution to get fit again. You need to know when it’s the right time. You see it with some of the newsletters we’re all getting from various publishers – they know that you do something on a Thursday night or Saturday morning. There’s a mechanic that humans like to consume, and you have to take that on as well.

Then there are softer metrics – how much content is shared, how far are people watching into it? And there is the “like” although I still don’t know if we can actually calculate what a “like” or “thumbs up” or “thumbs down” on social actually means. Engagement also sounds so nice but what does it mean? We know that some of the social channels are fantastic at serving up your target group, but the people clicking the trigger all the time are the ones that you pay for. So, you want to filter those out; you want to get to the ones that are ready for consideration.

Tell us about you #TOGETHERBAND initiative and why you decided to develop that campaign?

At UBS, sustainable finance has been a critical component of our client offering and a strategic growth opportunity for over 20 years, and that’s why we are a clear market leader today.

#Togetherband was a great opportunity for us to raise the awareness on the UN Sustainable Development Goals. The more people that get involved, the more you can do good, and that means you need to get to a popular, mass audience. We’ve had a billion and a half engagements since April last year. You can see the number of celebrities that have joined the initiative.

What we do is led by our partner, BOTTLETOP: they pull ocean plastic out, they give people in very poor communities a job opportunity as craftsmen, creating the bands in a sustainable way and the entire funding of these will be returned into that cycle for the UN’s 17 Sustainable Development Goals. It was very clear to us that we wanted to be a part of that; it’s part of our DNA but it’s the right thing to do. It also felt like the right thing to do for our employee base – I’ve never seen anything internally kick so much off. We’ve had 40%+ of the employee base of 60,000 people on a global level building #TOGETHERBAND, and that’s not something we normally hear.

It has been very rewarding and it’s difficult because it’s a real start-up mentality – and if there’s one thing a Swiss 150+ year old bank maybe doesn’t always have, it’s a start-up mentality! But it’s been, and continues to be, a great opportunity.

 

‘Brilliant Sound at Intersections of Culture and Cool’ Wins this Year’s Grand Prix

London, Thursday 10th September 2020 – The World Media Group is pleased to announce the winners of the 2020 World Media Awards.Top brands including Astana International Financial Centre, Electronic Arts, Levi’s, Samsung, Shell, Sonos, Tech Mahindra, Tourism Australia and Volkswagen were amongst those receiving accolades for their impressive entries this year. Hosted by the World Media Group*, the World Media Awards, now in their fifth year, are the only global awards to recognise brands, agencies and media partners who, together, create the most effective cross platform, cross border, content-driven advertising campaigns.

Sonos was the biggest winner this year taking away the WMA Grand Prix, as well as scooping up the Technology & Telecommunications prize for its innovative multiplatform campaign, ‘Brilliant Sound at Intersections of Culture and Cool’. In a currently over-crowded smart speaker market, Sonos’s challenge was to cut through the noise of its competitors to deliver a brand message about greater sound quality to an audience who may never have even heard of them before.

“Sonos edged out the competition with an entry that succeeded on every level – they outlined a clear challenge, addressed it with a multiplatform, wide-reaching creative approach and backed it up with fantastic results that demonstrated brand lift and revenue growth,” said Christoph Woermann, WMA Judge and CMO Corporate Bank, Deutsche Bank. “Brilliant Sound demonstrates all the attributes of an award-winning content campaign and is well-deserving of this year’s Grand Prix award.”

Alex Delamain, President of the World Media Group and SVP Global Client Partner at The Economist said, “As the World Media Awards celebrates its fifth year, the bar has been raised yet again. Not only did we have a record number of entries from all over the world – up by 100 percent on last year – the quality of the shortlisted campaigns was exceptionally high. Creating authentic content through creative storytelling that crosses multiple platforms and borders is at the heart of what the World Media Group does. In my second year as President, I have been surprised and delighted by the fresh perspectives and new approaches in content marketing; I’m excited that the WMG is able to highlight and celebrate this great work.”

A panel of 30 senior jurors from leading international advertisers, agencies and publishers co-chaired by Woermann and Josh Krichefski, CEO, EMEA at Mediacom, were tasked with selecting the eight category winners and the Grand Prix winner from the many global submissions. The full list of judges can be seen here.

For more information on the World Media Awards and to see the winning entries in fullvisit: http://sandbox.world-media-group.com/2020-winners/

 The winners of the World Media Awards 2020, along with comments from the judges, are as follows: 

Automotive

Winner –Volkswagen: For the Many, Not the Few – The ID.3
Entered by: PHD Global Business
Credits: DDB Berlin

“This campaign provided a great solution around the democratisation of new electronic vehicle technology to make the Volkswagen ID.3 synonymous with e-mobility.”

Brand & Media Owner Partnership

Winner – Samsung: TV is Making History Again
Entered by: Starcom
Credits: CNN, Leo Burnett, Adam & Eve/DDB

“If you’re going to do a media partnership, this is the way you do it! This immersive experience into space showed how you could bring out the product benefits of technology by using a really visual entity.”

Highly Commended – Astana International Financial Centre: My Kazakhstan
Entered by: Astana International Financial Centre
Credits: Bloomberg Media, Bloomberg Media Studios

“A well-considered media partnership that made fantastic use of Bloomberg’s content bringing to life the entrepreneurial spirit of Kazakhstan through storytelling.”

Corporate Influencer

Winner –Tech Mahindra: In the Future
Entered by: The Trust: The Wall Street Journal | Barron’s Group

“A well-adapted, creative and focused campaign that drove real business results.”

Highly Commended – Shell: The Great Travel Hack
Entered by: Mediacom
Credits: Vayner Media, Wunderman Thompson, Edelman, UEG Worldwide

“A very engaging campaign with a brave creative approach.”

Financial Services

Winner – Astana International Financial Centre: My Kazakhstan
Entered by: Astana International Financial Centre
Credits: Bloomberg Media, Bloomberg Media Studios

“This ambitious ‘country rebrand’ demonstrated some beautiful character profiles that brought to life the entrepreneurial spirit of Kazakhstan. It successfully presented a country that, as an investor, you’d want to back, and achieved impressive business results.”

Highly Commended – UBS: Are You Investing in What Matters to You?
Entered by: Spark Foundry
Credits: The New York Times, T Brand Studio

“This excellent multimedia story with a personalised CTA challenged readers to think about sustainable investments and learn more about how they could make a difference with their portfolio.”

Luxury, lifestyle &Fashion

Winner – Levi’s: What Does Performance Mean to You?
Entered by:OMD EMEA
Credits: TCO London (Huck Mag)

“This partnership redefined masculinity for a brand that’s synonymous with dusty pick-ups and ruggedness, prioritised storytelling over product and delivered significant bottom line uplift.”

Highly Commended – Essity: Viva La Vulva
Entered by: Zenith
Credits: Poke, AMV BBDO, Ketchum

“One of those campaigns that is likely to be written into media folklore for many years to come. It tackled a very delicate topic with respect and humour to effect real cultural change.” 

Media & Entertainment

Winner –Electronic Arts: FIFA20 Play Wrong
Entered by:m/SIX
Credits: Copa90

“A brave and fresh approach to the category. Strong storytelling with authentic content that also had local resonance, and a partnership that played out well across all of the creative concept.”

Technology & Telecommunications

Winner& Grand Prix Winner –Sonos: Brilliant Sound at Intersections of Culture and Cool
Entered by: Vizeum & 360i, Dentsu Group
Credits: ACAST, Amazon, WeTransfer, Anomaly

“The campaign leveraged smart insights into the audience and their passion for their subjects. It combined OOH in cities around the world with great digital, podcasts and innovative Amazon placements, resulting in a really well-integrated campaign.”

Travel & Tourism

Winner –Tourism Australia: From Country to Company
Entered by: UM Australia

“This campaign was developed from having genuine empathy for the needs of their target audience and demonstrated a fantastic use of partnerships.”

Highly Commended – Narok County Government: Moments of Wonder
Entered by: Reuters Plus

“A stunning campaign that really brought the beauty of the country to life.”

CONTENT LEADERSHIP & INNOVATION

This award is for the individual recognised by peers for their talent in creating exemplary content-driven campaigns with brand bravery, creativity and innovation.

Winner – Johan Jervoe, Chief Marketing Officer, UBS

 #ENDS#

Media contact: Charlotte Panther, M: 07834431206, E: charlottepantherpr@gmail.com

*About The World Media Group
The World Media Group is a strategic alliance of leading international media organisations that connects brands with highly engaged, influential audiences in the context of trusted and renowned journalism. Its members include The Atlantic, BBC Global News, Bloomberg Media Group, Business Insider, The Economist, The Financial Times, Forbes, Fortune, National Geographic, Reuters, The New York Times Company, Time, The Wall Street Journal, The Washington Post, and associate members: Moat and The Smithsonian.

 

Yesterday was the Judging Day for the fifth annual World Media Awards and, as you might expect, 2020 was unlike any other year. Our team of international judges, led by Josh Krichefski, CEO, EMEA at Mediacom and Cristoph Woermann, Global Head, Marketing Corporate Bank, Deutsche Bank, came together on Zoom for the day to review the shortlisted entries and determine the winners for the WMA2020.

Not only did we have a record number of entries this year (up by 100% on 2019), according to the judging panel, the quality of all the shortlisted campaigns was exceptionally high, making their job tougher than ever.

Shortlisted entrants were invited to join the Zoom call live for a 3-minute pitch in front of the panel or could submit a pre-recorded video of the same length. At the end of each category, the judges entered a lively debate to discuss the strengths of each campaign. This was followed by a knock-out vote until they reached a clear decision.

Surprising departures from type

The panel was particularly surprised by the innovation demonstrated in what one judge described as “the more difficult categories, with a limited toolbox”. The campaigns that stood out showed a clear departure from the norm for their sector, pushing boundaries, taking risks and allowing storytelling to uncover another side of their business.

Results are everything

Shortlisted entrants had already impressed the judges with their creative approach to storytelling and media strategy, so when it came to choosing the final winners for each category, it was invariably the campaign results that determined success.

The judges’ discussions often centred around the following criteria when considering a campaign’s achievements:

  • Was the campaign based on strong insights to ensure they were hitting the right audiences?
  • Was there a clear strategy and did every element feel part of one cohesive whole?
  • Did the campaign set clear KPIs and then demonstrate positive business results to back them up?

 

In a year of outstanding content campaigns, it was those entries that demonstrated the strongest tangible results that edged out the competition.

After an intense but successful day of Zooming, the judges’ final task was to choose the Grand Prix recipient. The competition was fierce, and it took a few rounds of discussion before a clear winner emerged. Who could it be? All will be revealed next week. Sadly, we can’t host a live event this year, but we’ll be announcing the winners through the World Media Group social media channels on Thursday 10th September from 1pm BST onwards.

UBS CMO Johan Jervoe Wins This Year’s ‘Content Leadership & Innovation Award’ as the World Media Awards 2020 Shortlist is Announced

London, Thursday 12th March: The World Media Group*has announced the shortlist for the 2020 World Media Awards (WMAs), which showcase the world’s best content-driven, cross-border advertising campaigns. This was a record year for the WMAs with entries up by 50 percent. The awards attracted strong international interest from Australia, Chile, France, Germany, Hong Kong, Singapore, the UK and the USA amongst other countries, spanning APAC, EMEA and the Americas.

Johan Jervoe, CMO at UBS was announced as the winner of the WMAs Content Leadership & Innovation Award today.This award is for the individual recognised by peers for their talent in creating exemplary content-driven campaigns with brand bravery, creativity and innovation. Jervoe will receive his special award at this year’s WMAs celebration.

The shortlist includes a wide variety of renowned international brands, including Audi, Bayer, British Airways, Canon, Formula One, Levi’s, PlayStation, Prada, Shell, BNP Paribas, Samsung and Sonos.

The entries were shortlisted by an international team of over 30 heavyweight jurors from leading advertisers, agencies and publishers, reflecting the vital importance of collaboration between all three parties when creating effective content-driven marketing campaigns. The jury is Co-Chaired by Josh Krichefski, CEO, EMEA at Mediacom.The full list of judges can be seen here.

Says Krichefski, “We had a stellar line-up of contenders for the Content Leadership & Innovation Award this year and choosing a winner was incredibly tough. All nominees have demonstrated brand bravery, creativity and innovation in pushing the boundaries of content marketing to achieve outstanding results. In the end, Johan Jervoe edged out the competition with his bold approach to developing the UBS brand identity and strategy, backed up by his commitment to driving industry best practice around viewability measurement and audience targeting.”

Alex Delamain, President of the World Media Group and SVP, Head of Sales,EMEA, at The Economist, adds:“As the World Media Awards celebrates its fifth year, we have been delighted to see a substantial increase in high quality entries from all over the world. Supporting authentic storytelling through journalistic and commercial content is at the heart of what the World Media Group does so I’m pleased to see such a diverse range of campaigns from almost 40 international brands on the shortlist,demonstrating the valuable role content marketing plays in bringing stories to life.”

Awards Reception: The final category winners will be announced at the World Media Awards Reception at the Ham Yard Hotel in London on Thursday 30th April. The winner of this year’s prestigious Grand Prix Award will also be announced on the night, joining previous years’ Grand Prix winners, London & Partners, Tata Motors, Shell and Fox as the ‘best of the best’.

Winners’ Perks: The Awards are unique in that all winners not only walk away with a trophy and kudos on the night, but will also see their work celebrated in an exclusive worldwide advertising campaign valued at €650K+ which will run across leading international media brands: The Atlantic, BBC Global News, Bloomberg Media Group, Business Insider, The Economist, Forbes, Fortune, National Geographic, The New York Times, Reuters, Time, The Wall Street Journal and The Washington Post, all members of the World Media Group.

The 2020 shortlist is as follows:

Automotive

Brand/ Campaign Entered by
Audi – Electric Earth National Geographic Partners
Bentley – An Extraordinary Journey To The Future PHD Global Business
Porsche Taycan – The Electric Dialogue PHD Global
Renault LATAM – Competition Is In Your DNA Havas Media Argentina
Volkswagen – For The Many, Not The Few – The ID.3 PHD Global Business

Brand / Media Partnership

Brand/ Campaign Entered by
DBLTAP & Alita: Battle Angel Minute Media
Astana International Financial Centre – My Kazakhstan Astana International Financial Centre
British Airways – BA 100 Modern Britons The Wall Street Journal | Barron’s Group
Corteva Agriscience– Follow The Food BBC StoryWorks
DXC Technology – The Winning Edge The Economist Group
Renaissance– Discover This Way Spark Foundry
Samsung – TV Is Making History Again Starcom
Sheraton – Global Experience, Local Connections Spark Foundry

Corporate Influencer

Brand/ Campaign Entered by
Bayer – Can We Live Better? MediaCom
Corteva Agriscience– Follow The Food BBC StoryWorks
Shell – The Great Travel Hack Mediacom
Tech Mahindra – In The Future The Trust |The Wall Street Journal | Barron’s Group
VistaJet– Secrets Of The CEO The Wall Street Journal | Barron’s Group

Financial Services

Brand/ Campaign Entered by
Astana International Financial Centre – My Kazakhstan Astana International Financial Centre
BNP Paribas – The Challenge Of Sustainable Finance Mapp Media
UBS – Are You Investing In What Matters To You? Spark Foundry
UBS – Why Doing Good Can Be Good For Your Portfolio WP BrandStudio, The Washington Post

Lifestyle, Luxury & Fashion

Brand/ Campaign Entered by
Audemars Piguet – Art Series T Brand Studio, The New York Times
Essity–Viva La Vulva Zenith
Levi’s – What Does Performance Mean To You? OMD EMEA
Prada EcoNyl – What We Carry National Geographic Partners
Zenith Watches – Zenith El Primero – A Forgotten Treasure KR Wavemaker

 

Media & Entertainment

Brand/ Campaign Entered by
Electronic Arts – FIFA20 ‘Play Wrong’ m/SIX
Formula 1 –Bolder And Braver Wins The Race Wavemaker Global
PlayStation Store – PlayStation: Black Friday EMEA MediaCom
Walls – Unilever – Talking Ice Cream 2019 Mindshare WW

 

Technology & Telecoms

Brand/ Campaign Entered by
Canon – Rugby World Cup 2019 PHD International
HP – Go For Growth PHD Global
Samsung – Powering Urban Nomads Starcom
Samsung – TV Is Making History Again Starcom
Sonos–Brilliant Sound At Intersections Of Culture And Cool Vizeum & 360i, Dentsu Group
Tech Mahindra – In The Future The Trust |The Wall Street Journal | Barron’s Group
Teradata –From Data To Answers Forbes

Travel & Tourism

Brand/ Campaign Entered by
Emirates– Captains Of Africa BBC StoryWorks
Narok County Government– Moments Of Wonder Reuters Plus
South African Tourism – Where Great Minds Meet CNBC Catalyst
Tourism Australia – From Country To Company UM Australia
Tourism New Zealand – Welcome To New Zealand National Geographic Partners
VistaJet– Secrets Of The CEO The Wall Street Journal | Barron’s Group

Details of the shortlisted entries can be found here.

#ENDS#

Media contact:

Charlotte Panther T: 07834 431206 or E:charlottepantherpr@gmail.com

 *About the World Media Group:
The World Media Group is a strategic alliance of leading international media organizations that connects brands with highly engaged, influential audiences in the context of trusted and renowned journalism. Its members include The Atlantic, BBC Global News, Bloomberg Media Group, Business Insider, The Economist, Forbes, Fortune, National Geographic, Reuters, The New York Times, Time, The Wall Street Journal, The Washington Post, and associate members: Moat, Smartology and The Smithsonian. Visit www.world-media-group.com for further information.

Winners of Each Category to Receive a Worldwide Advertising Campaign Valued at €650k+

London, Thursday 6th February, 2020: The World Media Group,a strategic alliance of the world’s leading media brands, has extended its deadline for this year’s World Media Awards (WMAs) by one week to Thursday 13th February. The organisers are calling out for submissions from all over the world that demonstrate the best in cross platform, cross border, content-driven advertising.

The free-to-enter awards are now in their fifth year and offer winners the opportunity to be acknowledged as global leaders in international content-led advertising. The WMAs are unique in not only giving recognition of the category winners’ work through the trophy on the night, but by also celebrating all winning campaigns in a world-wide advertising campaign valued at more than €650k. The winners’ ad campaign runs across leading international media brands The Atlantic, BBC Global News, Bloomberg Media Group, Business Insider, CNBC, The Economist, Forbes, Fortune, National Geographic, The New York Times, Reuters, Time, The Wall Street Journal and The Washington Post, all members of the World Media Group.

Alex Delamain, President of the World Media Group and SVP, Head of Sales & Client Services, EMEA, The Economist said, “As content has become an increasingly important part of the marketing mix, the number of entries and the quality of submissions has risen significantly since the WMAs began five years ago. We’ve extended the entry deadline today to encourage even more participation from all over the world. I look forward to seeing a diverse range of innovative campaigns that represent best-in-class, content-driven marketing.”

Last year’s winning entries included Grand Prix winners, FOX, along with Amgen, Audi, Credit Suisse, Deutsche Bank, Formula 1, Incredible India and Siemens.

How to enter: Entry to the WMAs at http://sandbox.world-media-group.com/awards/is free* although entrants are invited to make a voluntary donation to Reporters Without Borders.  Advertisers and media owners and their media, PR and creative agencies can enter all categories. Campaigns must have intentionally targeted audiences in at least three countries and 75% of activity needs to have been implemented in 2019. There is no requirement for campaigns to have run in any of the World Media Group brands.

Judging: To reflect the importance of collaboration in creating successful international, content-driven advertising campaigns, the independent jury includes more than 30 heavy-weight judges from brands, agencies and media owners, presided over by Josh Krichefski, CEO, EMEA at Mediacom.The full list of judges can be seen here.

Categories: This year there are eight Award categories, along with the Content Leadership & Innovation award. The jury will select the Grand Prix from amongst the category winners, as follows:

  • Automotive
  • Brand & Media Owner Partnership
  • Corporate Influencer
  • Financial Services
  • Lifestyle, Luxury & Fashion
  • Media & Entertainment
  • Technology and Telecoms
  • Travel & Tourism


Awards event:
The winners will be announced at the exclusive World Media Awards Reception at the Ham Yard Hotel in London on 30th April 2020.  Shortlisted entrants will receive two free tickets to join the celebration as guests of the World Media Group, and additional tickets will be available for purchase.

*Awards cost £100 per entry for media owners.

** ENDS **

Media contact: Charlotte Panther
M: 07834431206
E: charlottepantherpr@gmail.com

About the World Media Group:
The World Media Group is a strategic alliance of leading international media organisations that connects brands with highly engaged, influential audiences in the context of trusted and renowned journalism. Its members include The Atlantic, BBC Global News, Bloomberg Media Group, Business Insider, The Economist, Forbes, Fortune, National Geographic, Reuters, The New York Times, Time, The Wall Street Journal, The Washington Post, and associate members: Moat, Smartology and The Smithsonian. Visit www.world-media-group.com for further information.

Article by  |    | EMarketer

Marketers predicted that they will use more content-driven campaigns and audio and emerging formats in 2020, according to new research from World Media Group.

About 80% of marketing professionals worldwide surveyed in October 2019 said they expect content-led campaigns to grow over the next two years, with 19% saying they expect they would stabilize. Only 2% of respondents said there would be a decline.

View the full article