6 things you need to know about generative AI

The World Media Group hosted its latest Smart Briefing yesterday with a panel of AI experts distilling the reality from the hype. Chaired by Economist Impact’s Emma Winchurch-Beale, the panel included Jeremy Kahn, AI Editor at Fortune, Elena Corchero, Director of Emerging Tech and Innovation at Dow Jones Live, and Hugh Langley, Senior Correspondent at Business Insider. Below is the discussion video and our key take outs from the event.

1.   Cool demos – but not worth paying for yet

Insider’s Hugh Langley said it felt like there had been 500 hype cycles since the arrival of Chat GPT 18 months ago, and that would continue as the models got better. However, it’s still not clear what generative AI’s consumer proposition will be for Large Language Models (LLMs). Langley paraphrased Sam Altman, founder of OpenAI’s description of Chat GPT as a ‘cool demo, bad product’. “I think what we’re going to see with these tools is that they’re cool to play with, but not yet necessarily turning into things people are going to pay money for,” Langley says.

Langley believes we’ll start to see a more specific focus on use cases such as medicine for LLMs in the future. He said we’re also likely to see an increase in AI Agents automating processes and taking away the leg work for companies. An Agent could be used to track invoices, for example, with a minimal amount of human supervision, or an AI Travel Agent could save time building an itinerary.

2.   Chat GPT still the leading model for businesses

Fortune’s Jeremy Kahn referenced a recent survey from the venture capital firm A16z, that asked 2,000 businesses about their adoption of generative AI and the models they were using. “It turned out that lots of people are playing around with lots of different models and different methodologies. But very few people actually have anything in full production,” he said.

Anything that is in full production is almost exclusively using Open AI’s GPT4 API. That may be because people are most comfortable with it as the first to market, but Kahn says it’s also still the most capable model available. “That reliability is important in enterprise use cases where being 86% accurate as opposed to 79% accurate actually makes a difference in deployment,” he says.

The vast majority of models currently in production are in employee-facing applications, not in customer or consumer-facing applications, which Kahn puts down to two things. Firstly, there’s the question of whether it’s reliable enough to be customer-facing. Secondly, the cost versus the return on investment. “These models are still very expensive to use,” he says. “People haven’t quite figured out how this is really going to be worth it.”

3.   Big tech companies are winning out over start-ups

The cost is one of the problems facing start-ups. Those in the Open Source world are giving away their model for free in the hope that people will build on it. But just because you get the model for free, it doesn’t necessarily mean it’s going to save you money. ”It costs a start-up a tremendous amount to build an API and it’s not clear what their business model is so the large tech companies seem to be the big winners here,” Kahn says. Rather than investing in building AI themselves, he is noticing many organisations are waiting to see what companies like Microsoft or Salesforce create.

Despite some narratives that suggest that some of the big tech companies like Google are behind the curve on generative AI, Langley thinks they will catch up fast because they have the scale, infrastructure and brainpower to win in this space.

4.    Think of AI as a layer you can add to anything

The clients that Elena Corchero works with at Dow Jones Live are enthusiastic about the potential for AI and have embraced it in the same way they have other technologies such as the Metaverse, NFT, AR and VR. Rather than it being simply the ‘next shiny thing’ however, Elena sees generative AI as the key to propelling these other technologies to the next level.

“It’s a layer that you can add to absolutely anything, so all the investment in other technologies had not been in vain,” she says, as illustrated by the Dow Jones project Sustainable Horizons.  This new method of immersive storytelling demonstrates how AI can create a more sustainable world. The experience is developed using generative AI with human supervision for the script, the audio, the music, the imagery, the animation and the environments within the 3D world. It’s a brilliant example of how all the technologies come together under the layer of AI.

Kahn talked about how AI is being used in this way with self-driving cars. By layering LLM testing on top of a foundation model, the AI can explain what it’s doing while it’s driving. “It can talk through the logic of what it’s trying to do – ‘I see a pedestrian here, therefore, we’re going to apply the brakes,’” Kahn explained. This acts as a debugging technology for engineers building the systems.

It also works for financial analysis tools. Kahn cited an example of a CEO asking how to save 10 million on a budget in the next quarter. Seconds later, the AI had generated suggestions of the areas it was possible to make cuts in.

5.    It’s only as good as the human controlling it

Although all our panel agreed that generative AI technology is world-changing, we shouldn’t worry about it stealing our jobs (yet). Chatbots are only as good as the search prompts you give them and much of what AI can do is flawed without human intervention. That said, employers have a responsibility to consider how they support the workforce and help people to navigate this uncertainty.

“The reality is that generative AI is going to empower people; we need to upskill them on how to use these APIs and to understand where it can fail and the flaws to look out for,” Corchero says. “We need to focus on enhancing all capabilities, but also safeguarding collective values, which is the human alignment that is missing from generative AI.”

6.   Heightened vigilance and rigorous fact-checking required

The final topic centred around how to combat disinformation and misinformation, particularly in an election year. The rise of unintentional misinformation stemming from the proliferation of AI-generated content, combined with intentional disinformation, such as deep fakes, is presenting serious challenges to newsrooms.

Although some standards and legislation are in place, there is still a long way to go. “While the industry seems to be coalescing around the C2PA standard, it’s not perfect and can be manipulated,” Kahn says. Likewise, watermarks can be removed and audio content can be difficult to authenticate.

As journalists grapple with the task of distinguishing between genuine stories and fabricated or manipulated content, our panel agreed that it requires heightened vigilance and rigorous fact-checking procedures for newsrooms.

However, Corchero says this also presents an opportunity “for trusted media brands to distinguish themselves as impartial sources of truth, and to regain public trust. Now more than ever, it’s going to be very important to support people by providing that.”

Find out more about the World Media Group’s events programme or sign up to our next Smart Briefing here.

New categories include ‘Small Budget, Great Impact’ and B2B

London, Wednesday 10th April 2024: The 2024 World Media Awards (WMAs) are open for entry today, offering 11 categories to recognise the very best in cross-platform, cross-border, content-driven advertising. Created by the World Media Group, a strategic alliance of global media brands that promotes award-winning journalism and the value of quality international media to the marketing industry, the WMAs are now in their ninth year.

B2B added to the sector categories

The organisers have added two new categories this year. The B2B category is designed to recognise the best content-led campaigns targeting international business audiences. These can come from any brand that creates products or services designed to support business customers.

‘Small Budget, Great Impact’

This new specialist category is designed to show off strong partnerships between brands and media owners. It recognises stand-out international branded-content campaigns that are created on a smaller budget (less than €300K or USD $300K). The ‘Small Budget, Great Impact‘ category can be entered by media owners and must demonstrate how the client and media owner have worked together to develop engaging content that delivers outstanding results for the brand.

A panel of international judges

To reflect the importance of collaboration in creating successful international, content-driven advertising campaigns, the independent jury is made up of heavy-weight judges from brands, agencies and media owners. Leading this year’s line-up are co-chairs Jasmin Kaur, Global Managing Partner, Havas Media Network and Santosh Sethumadhavan, Global Head of Commercial Campaigns, Swift.You can find out more about this year’s judges here.

“The last few years have been challenging for the marketing and media industry, across agencies, publishers and in-house. Concerns around profitability have resulted in budget cuts which often means brands are expected to be doing more with less,” said Kaur. “The Small Budget, Great Impact category is an inspired addition to the World Media Awards. We’ll be looking for campaigns that show a deep understanding of the client’s brand and marketing objectives and deliver innovative content in the most effective format. It’s going to be one of the most interesting categories to judge, and I’m looking forward to seeing just how creative brands can be on a smaller budget!”               

Sethumadhavan added: “The World Media Awards always provides insight into how the top international advertising teams are driving engagement and success for global brands through content-led marketing strategies. After many years of leading B2B campaigns for major brands, I’m particularly excited to see that the jury will be evaluating B2B as a standalone sector category this year. Alongside Jasmin, I look forward to working with the judges to ensure that we surface the very best campaigns and give them the kudos they deserve.”

The World Media Awards offer a unique prize to each of the sector category winners. The winning entries are amplified in a worldwide advertising campaign valued at more than €750k running across the World Media Group’s leading international media brands. Members comprise BBC Global News, Business Insider, CNN, The Economist, Forbes, Fortune, National Geographic, The New York Times Company, Politico, Reuters, TIME, The Wall Street Journal, The Washington Post, and associate member, The Atlantic.

global media brands that make up the World Media Group.

Championing international trusted journalism

The WMAs are not-for-profit. 50 percent of the entry fee will be donated to Reporters Without Borders, which protects and supports journalism and freedom of speech around the world. Early bird entry fees before 28th June are £150. Entry fees after 28th June are £200. The exception to this is the Rising Star category, which is £50 to enter. The total entry fee for Rising Stars will be donated to Brixton Finishing School, which supports access to the advertising and media industry for under represented communities.

How to enter

You can enter the WMAs at  https://world-media-group.com/awards/how-to-enter/. Campaigns must have intentionally targeted audiences in at least three countries and 75% of the activity needs to have been implemented between April 2023 and June 2024. There is no requirement for campaigns to have run in any of the World Media Group brands. The closing date for entries is Thursday 12th September 2024.

Categories

This year there are 11 award categories plus the Content Leadership & Innovation award, which is judged based on nominations from WMG members. The jury will select the Grand Prix from amongst the following category winners:

  • Automotive
  • B2B
  • Corporate Influencer
  • Financial Services
  • Luxury & Lifestyle
  • Technology & Telecoms
  • Travel & Tourism

Specialist categories

The following four categories are designed to celebrate the power of great partnerships between brands and media owners; the potential for brand storytelling to drive progress on social issues; and to celebrate the next generation of talented individuals who are leading the way in delivering effective, creative and innovative solutions for brands.

  • Brand and Media Owner partnership
  • Small Budget, Great Impact
  • Rising Star
  • Social Good

Awards ceremony

The winners will be announced at an exclusive live ceremony on Thursday 21st November 2024. Shortlisted entrants will receive two free tickets to join the celebration as guests of the World Media Group, and additional tickets will be available for purchase.

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About The World Media Group

The World Media Group is a strategic alliance of leading international media organisations that connects brands with highly engaged, influential audiences in the context of trusted and renowned journalism. Its members include BBC News, Business Insider, CNN International, The Economist, Forbes, Fortune, National Geographic, The New York Times Company, Politico Europe, Reuters, TIME, The Wall Street Journal, The Washington Post, associate member The Atlantic, and partners Brand Metrics, Dianomi and Smartology. To find out more about the World Media Group, please visit www.world-media-group.com