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Rising Star’ entries wow the judges as the quality of overall submissions increases

London, Wednesday 29th June: The World Media Group has announced the shortlist for the 2022 World Media Awards (WMAs), which showcase the best in international content-driven, cross-border advertising. The awards attracted interest across APAC, EMEA and the Americas with entries from Belgium, France, Germany, Ireland, Japan, Malaysia, Singapore, South Africa, South Korea, Spain, Sweden, Switzerland, UAE, UK and the USA.

This year saw the entries double in both the Automotive and Social Good categories, while Technology & Telecoms entries increased by 175% compared to last year. The judges were impressed by the strong showing of entries in the new ‘Rising Starcategory, introduced this year to recognise talented individuals who are making a significant impact to the creativity and effectiveness of content-led advertising strategies early on in their careers.

The shortlist, which includes renowned brands from across 40 different organisations, was determined by an international team of 39 heavyweight jurors from leading advertisers, agencies and publishers. The jury’s make up reflects the importance of collaboration between all three parties when creating effective content-driven marketing campaigns. This year’s Co-Chairs were Hamish Goulding, Head of Global Brand Strategy, HSBC and Ritu Lakhanpal, Managing Partner IPG MEDIA BRANDS. The full list of judges can be seen here.

Damian Douglas, President of the World Media Group and Managing Director EMEA, TIME said, “The World Media Group’s mission is to champion international trusted journalism and support the creation of engaging content – both editorially and commercially. We are delighted to see how many entries demonstrate the true power of storytelling through content-driven advertising in the right media environment. The number of impressive submissions for our new ‘Rising Star’ category is also encouraging – the future of the industry is clearly in safe hands!”

World Media Awards Event

The final category winners will be announced during an exclusive live ceremony at the Ham Yard Hotel in London on Thursday 8th September 2022. Shortlisted entrants will receive two free tickets to join the celebration as guests of the World Media Group, and additional tickets will be available for purchase. The winner of this year’s prestigious Grand Prix Award will also be announced on the night, joining previous Grand Prix winners London & Partners, Malaria No More UK, Shell, Sonos and Tata Motors as the ‘best of the best’.

€750k Worldwide Advertising Campaign for Winners

In addition to presenting awards to category winners on the night, the World Media Awards offer a unique prize. The winning entries are amplified in a worldwide advertising campaign valued at more than €750k running across the World Media Group’s leading international media brands. Members comprise The Atlantic, BBC Global News, Bloomberg Media, The Economist, The Financial Times, Forbes, Fortune, National Geographic, Insider, Politico Europe, Reuters, The New York Times Company, The Smithsonian, TIME, The Wall Street Journal and The Washington Post.

 

The 2022 shortlist is as follows:

Automotive

Brand / Campaign Entered by
Hyundai – A Better Way Warner Bros. Discovery with Havas Media Group
Hyundai – Journey To Ithaca BBC Studios (BBC StoryWorks)
Volkswagen – The New Polo Challenger Series: Conquering New Stadiums PHD Germany

Brand / Media Partnership

Brand/ Campaign Entered by
Accenture – Accenture Exchange Series And Partner Content Financial Times
De Beers Group – Okavango Eternal National Geographic
Infosys – The Sustainability Project Economist Impact
InLombardia and Grana Padano – Masters Of Lombardy BBC Studios (BBC Storyworks)

Corporate Influencer

Brand/ Campaign Entered by
A.P. Moller – Mærsk – The Upside Of Integrated Logistics Havas Business
EY – World Entrepreneur Of The Year™ Mediacom
Hitachi – COP26 Climate Change Innovation Reuters
Infosys – The Sustainability Project Economist Impact

Financial Services

Brand/ Campaign Entered by
Banco Santander – FootballCan 2041 Arena Media and Havas Spain
Citi – Treasury & Turbulence – Sanctions: The Makers & The Breakers Euromoney Institutional Investor
ING Wholesale Banking – Progress With Purpose The Trust: The Wall Street Journal | Barron’s Group
Lombard Odier Group – Revealing The Unexpected Value Of Nature Banque Lombard Odier & Cie SA
UBS – Tackling The Climate Crisis With The Visionaries Of Tomorrow T Brand, the content studio of New York Times Advertising

Lifestyle & Luxury

Brand/ Campaign Entered by
Johnnie Walker – The Ones Who… Keep Walking OMG Africa
Monkey Shoulder Whisky – ‘From Mixing Cocktails To Mixing Metaverse Beats’ iProspect Global
The Macallan & Bentley – Sharing Mastery: An Extraordinary Journey Into The Future Robb Report
Walpole – Love Letters From Britain BBC StoryWorks

Media & Entertainment

Brand/ Campaign Entered by
Reuters – The Source Reuters
Sony Pictures Entertainment – Spider-Man Swings To Global Success OMD EMEA

Rising Star

Aimee Carpenter Carat UK
Cristina Correa POLITICO Europe
Georgina Marshall BBC Studios (BBC Global News Advertising Sales)
Ella Solomon Wavemaker

Social Good

Brand/ Campaign Entered by
Banco Santander – FootballCan 2041 Arena Media and Havas Spain
For(bes) the Culture – State Of Black Entrepreneurship Forbes
Hyundai – Journey To Ithaca BBC Studios (BBC StoryWorks)
Infosys – The Sustainability Project Economist Impact
‘Girls Are Ready’ Red Border by TIME

Technology & Telecoms

Brand/ Campaign Entered by
Deutsche Telekom – Project Futureproof: From GenZ For GenZ Mindshare GmbH
Samsung – Creating Sustainably T Brand, the content studio of New York Times Advertising
Samsung Galaxy Z Flip3: Unfold Your World Starcom Worldwide
Samsung Galaxy S21 Ultra – The Phone Of The Year Captures The Man Of The Year Starcom Worldwide
Webex by Cisco – Powering Through The Pandemic With Mclaren Merkle B2B

Travel & Tourism

Brand/ Campaign Entered by
Brand Scotland – Many Brands Make Light Work – Collaboratively Building Scotland’s Brand At COP26 Carat UK
VisitScotland – Slow Up In Scotland The Walt Disney Company
Visit Sweden – Discover The Originals Mindshare

For full details of shortlisted entries go to https://world-media-group.com/awards/2022-shortlist/.

About The World Media Group
Championing International Trusted Journalism

The World Media Group is an alliance of leading global media organisations united in providing trusted and renowned journalism. Its members include The Atlantic, BBC Global News, Bloomberg Media, The Economist, The Financial Times, Forbes, Fortune, Insider, National Geographic, Politico Europe, Reuters, The New York Times Company, The Smithsonian, TIME, The Wall Street Journal and The Washington Post, and associate member Euromoney, and partners Permutive and Smartology. To find out more about the World Media Group, please visit www.world-media-group.com.

 

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Daryl Lee, Global CEO of IPG Mediabrands and president of this year’s Cannes Media Lions

Welcome to My Media Life where business leaders chat to us about what the media industry means to them – from insights into their own career path and tips for those starting out today, to which media they personally connect with and why.

With the Cannes Lions International Festival of Creativity about to begin for the first time in three years, we’re thrilled to be joined by Daryl Lee, Global CEO of IPG Mediabrands and president of this year’s Cannes Media Lions.

Below are extracts from our longer conversation; you can watch the full interview above, or listen to the podcast here.

What does the media industry mean to you?

Change. I love change. I found my way into the media business from consulting and a creative agency, and they were both really focused on clients and brands and business. I love the business of our clients and building brands.

What media does is take all of that and smack it in the middle of wherever change is happening. I used to think that was accidental, but now I realise that’s the nature of media because it tracks culture – it tracks good and bad culture – it tracks entertainment, it tracks human beings’ changing views of what they’re interested in. That’s what media is; that’s how you attract audiences. So, the fact that you combine all these brands and businesses and all the things I love about the world in general, and then the pace of media, which is: Change, get ready for it, immerse yourself in it, be the first into it.

What’s the one piece of advice that has helped in your career?

I’m going to give you two. I’ve become a CEO, but I’m a strategist at heart and strategists love their lunchtimes because no-one schedules a meeting, and you can do some work, so the best advice somebody gave me is never lunch alone.

Make sure that every time there’s a lunch in your day – you’re going to talk to somebody new; you’re finding out something new. Somebody walked past my office once and said, “This is the third day in a row I’ve seen you hunched over your laptop over lunch. Get out, meet people.”

There’s always somebody who wants to have lunch with you, as a media agency leader. I get to meet people, but I also get to think new things – there’s going to be some new supply chain optimisation person, for example, who I only meet for lunch because I need to eat. And then you learn something new about the tech ecosystem. Or you meet somebody who’s looking at a new audience. Or you just meet somebody who’s got something interesting going on in their lives. Keeping your mind open to that is important.

The other thing I was told was to speak up. That’s my advice to people when they walk in here: Speak up; we can’t answer a question you don’t ask.

What’s your favourite thing about your current job?

I love being a coach. I use this metaphor a lot. I’m not a big sports fan. IPG Mediabrands has 13,000 people around the world. We have these two big brands, UM and Initiative, and then we have specialty brands that support them. So, we have a blue team (Initiative) and red a team (UM) that play different fields, play different games at different times.

This is not something as a strategist I expected to love because I love the analytics of business, I love the analytics of media, I love the idea of optimising your investments against business objectives. All that I love, but actually, people can’t be optimised in that way. People can only be inspired and led.

I love the opportunity I’ve been given, which is to think about what I need to do to be a leader, as opposed to a boss. And my model is coaches, because what coaches do – they bring out the best in people; they put them in the right position. They move them out of position into a new position. And there’s always a clear bias towards the team versus the star. Occasionally you get distracted by having the star on a team, but I think you always learn that the team is stronger than the stars.

What advice would you give to someone starting out in a media or marketing career today?

Well, I don’t need to give them advice to speak up because with this generation there’s no quietness! I think it’s ‘really be creative because the opportunity now, like never before in media and I think in business, is to find new connections, find new combinations.

I like to say creativity is everybody’s business, which wasn’t always the case. There’s no longer ‘there’s the science guy’, ‘there’s the art guy’, or ‘there are the people who do the hard analysis’ or ‘here’s the people who think conceptually and creatively’. I think we all have to be creative. The pace of change requires it, but the openness in business makes it possible. So, no matter where you are, no matter where you’re starting, if you see something that can be created, speak up, let’s do it.

What would you say your own personal secret talent is?

Optimism. I’m a very idealistic person. I grew up in South Africa, which was disaster into miracle. Somebody told me the other day I’m a strong optimist. People come and say: house on fire …client’s leaving…we didn’t win this…we didn’t run a campaign in the middle of December that was about holidays. And I’m like: “First of all, let’s acknowledged the pain, and secondly, we’ll find a way to make it a positive. We’ll find a way to make it up.” So, I’m very optimistic.

I was very easily bored [as a child] and so I did a lot of theatre – we called it ‘candlelight theatre’. We would go around to retirement homes and do a lot of Monty Python, which in South Africa was super weird, but I have a deep sense of performance. I don’t use it [everyday], but when I need to, it’s very helpful.

With media agencies, because we do so much pitching, we speak to CEOs and CFOs way more than creative agencies do now. There’s that sense of when there’s a performance, show up with a performance and make it a performance. People have come to see a show not a conversation. Because it can’t just be the work we do. They’re looking to an agency for something – it’s got to be an emotional experience otherwise they could just get it from looking at a report.

Where do you get your own daily news from?

I have my four, the big four, which is Wall Street Journal, Washington Post, New York Times and the Financial Times. Not in that order, actually in reverse order – I end with the Wall Street Journal. I sometimes start with the New York Times if something big is happening in the world, but usually the Financial Times… although, I don’t want to read any more about Boris Johnson. Can I say that I’m just done? It’s just enough!  And then Politico. I am a news junkie.

In terms of lifestyle, which media brands are most important to you?

I do a lot of streaming. I’m a big Prime video guy. I think HBO Max and Prime have managed to carve out a position of more interesting, more thoughtful content. Netflix does the great content spectrum. I do watch CNN. I have secret vices, like Below Deck – it’s a Bravo reality TV show about people who work on luxury yachts and they’re the team below deck, and it is just bad for you and unstoppably addictive. And a lot of sport – we saw the most amazing tennis in the last two weeks and I’m looking forward to some new tennis coming. It is interesting how you don’t say NBC / ABC anymore – you say HBO Max, Prime Video. Peacock is a great brand and Vudu, is a brand in my life.

How do you switch off from being always on?

Gardening! I have a garden, I go biking. We have a house that’s two hours north of New York City – it has a huge yard that I try to keep up, poorly, so I love that. I love being out. I’m not sure I’m ‘tree bathing’ or forest bathing but something like that happens to me when I’m out in nature.

The other day I was like, “My roses are not performing as I would like.” I remember thinking my grandfather spends an awful lot of time talking about roses. What is his problem? But this is what’s happened – I’ve now become someone who really cares about my roses.

Finally, who or what inspires you?

Nelson Mandela. To come from one of the first black lawyers in the country, then banned, then imprisoned 27 years, worked in a quarry in this awful jail cell and then came out and was a unifier and built a rainbow nation with warts and all, but still just this grace. To come out and have such grace. So, he inspires me, always. You read his writings and he was obviously raised in a particular way, which built a character. And he worked on his character.

It’s such an interesting thing. We had a meeting in Majorca the other day to get the global leadership team together and Tony Nadal was there, Rapha Nadal’s uncle and coach. He came to speak to us, and I asked him, what makes the difference from a good tennis to a great tennis player? And he said, “Someone who works on their character.” Not someone who has great character, but someone who works on their character to become better. And I think that’s what Mandela did that.[/vc_column_text][vc_column_text][/vc_column_text][/vc_column][/vc_row]

[vc_row][vc_column][vc_column_text]Nigel Robinson, Global Account Director & Managing Partner at Mediacom, is the World Media Group’s new Non-Executive Chair. Picking up the mantle from Gordana Buccisano, Nigel supports our mission to champion the values of international, trusted journalism. Nigel’s experience managing global client relationships and leading international network teams for MediaCom brings a unique perspective of the brand / agency / publisher relationship. We chat to Nigel about how he hopes to facilitate a better understanding of the value publishers can offer brands, based on a currency of insight and understanding.

What do you bring to the role of World Media Group Chair?

I’ve spent 30 years working with major clients and brands, thinking hard about what they want to achieve and working out how agencies and publishers can help them. Being in the engine room of one of the world’s leading agencies, working with some of the most advanced clients in the world, you really do get to see and understand what challenges clients are grappling with and the solutions they’re looking for.

I want to bring that know-how and experience to the role of WMG Chair. I see it from an agency perspective and a client’s perspective, as well as from a publisher’s perspective, and I want to connect these groups to help clients grow their brands and drive their businesses forward.

What are the biggest challenges clients are grappling with today?

Everyone is working out how to use data effectively. We’re all aware of the fundamental changes happening around personal identity in a Cookieless world and this means advertising context becomes one of the solutions to that challenge. This is nothing new and, like fashion, it’s coming back into vogue again. The World Media Group and its members are all about publishing quality content; their high-quality journalism creates so many incredibly powerful contexts for advertisers to capitalise on and there’s a greater value being attached to this now.

Similarly, attention has become a very big theme recently. Clients increasingly appreciate that reach is only effective if it comes with audience attention and they’re asking agencies to plan for reach + attention and to quantify its value. This focus on “attention planning” is again, hyper-relevant to publishers like the World Media Group members, whose super high-quality content is being consumed closely and deeply by their audiences. Quite rightly, advertisers are placing a premium on this right now.

Brands and clients are always hungry to understand their categories, their audiences and how their brands fit into the world. Publishers have so much to offer in terms of how they understand people and audiences and providing the context for brands to be seen in and operate in. This is super high value, and that currency of insight and understanding is a great way of connecting brands to publishers.

How can publishers help solve these issues?

I want to help publishers understand this value and tell that story by creating their own narratives and solutions to these challenges and opportunities, which will resonate with brands and brand owners. Having worked with a breadth of clients, I believe I can help publishers articulate their best solutions to increase their value to brands and that’s a big part of what I want to accomplish as the World Media Group Chair.

In a world of snackable content, what role does in-depth content play?

Whether you’re talking about a business audience or a Gen Z audience, consumers’ attention spans have shortened, and we’ve all become used to this very short-form, snackable, slightly clickbait content. For me, when it comes to understanding the value and the role of more in-depth content, there’s also an ethical side to consider.

In the “Twittersphere world”, there’s a danger that we lose the depth of communication. What is the real story? What are the real facts? What’s the real trend here? That’s where high-quality, trusted journalism is needed. As a society, we should nurture it, support it, and make sure it maintains a place in our world.

Quality journalism is not only incredibly valuable to the industry, but also to society, and we must make sure we don’t lose it. Businesses have become more aware of their impact on the world and want to operate in a responsible way, which is why I believe this point can grow in importance.  The World Media Group brands offer a platform for businesses to tell their stories at length, within a trusted, credible environment.[/vc_column_text][/vc_column][/vc_row]

[vc_row][vc_column][vc_column_text]The World Media Group (WMG) together with The Third Culture and the Brixton Finishing School would like you to participate in our first-ever industry survey on Inclusion & Trust on the commercial side of the media industry. If you work in the advertising industry, on the client or brand side, in a media agency, a creative agency, or at a media company or if you are thinking of a career in the sector, we would like to hear from you.

Our goal is to better understand culture, diversity and inclusion in general and then specifically how that impacts on the WMG member organisations compared with other media companies.

We want to use the survey results to provide us with an idea of how we might be performing in driving inclusion and trust and we would like to set benchmarks for the future.

The survey is being conducted in accordance with UK GDPR, the Equality Act 2010 and the Data Protection Act 2018. Responses are anonymous and will be treated as aggregates and used for research purposes by World Media Group board members to drive positive action in the area of diversity and inclusion.

There is a link to an external site at the end of the survey where you can enter a lucky draw to win a £100 Amazon voucher as a thank you for filling in this survey in accordance with the World Media Group Privacy Policy. Data will not be stored or used other than for the purposes of the lucky draw and will be deleted after the draw.

This survey is being conducted with the help of The Third Culture, a management consultancy that is focused on the area of organisational culture, diversity and inclusion.

Brixton Finishing School is an award-winning employment programme that offers a range of free online and in-person courses designed to upskill and support the employment of talent from underrepresented backgrounds.

Thank you for your support.  To take part in the survey click HERE[/vc_column_text][/vc_column][/vc_row]