New categories include ‘Small Budget, Great Impact’ and B2B

London, Wednesday 10th April 2024: The 2024 World Media Awards (WMAs) are open for entry today, offering 11 categories to recognise the very best in cross-platform, cross-border, content-driven advertising. Created by the World Media Group, a strategic alliance of global media brands that promotes award-winning journalism and the value of quality international media to the marketing industry, the WMAs are now in their ninth year.

B2B added to the sector categories

The organisers have added two new categories this year. The B2B category is designed to recognise the best content-led campaigns targeting international business audiences. These can come from any brand that creates products or services designed to support business customers.

‘Small Budget, Great Impact’

This new specialist category is designed to show off strong partnerships between brands and media owners. It recognises stand-out international branded-content campaigns that are created on a smaller budget (less than €300K or USD $300K). The ‘Small Budget, Great Impact‘ category can be entered by media owners and must demonstrate how the client and media owner have worked together to develop engaging content that delivers outstanding results for the brand.

A panel of international judges

To reflect the importance of collaboration in creating successful international, content-driven advertising campaigns, the independent jury is made up of heavy-weight judges from brands, agencies and media owners. Leading this year’s line-up are co-chairs Jasmin Kaur, Global Managing Partner, Havas Media Network and Santosh Sethumadhavan, Global Head of Commercial Campaigns, Swift.You can find out more about this year’s judges here.

“The last few years have been challenging for the marketing and media industry, across agencies, publishers and in-house. Concerns around profitability have resulted in budget cuts which often means brands are expected to be doing more with less,” said Kaur. “The Small Budget, Great Impact category is an inspired addition to the World Media Awards. We’ll be looking for campaigns that show a deep understanding of the client’s brand and marketing objectives and deliver innovative content in the most effective format. It’s going to be one of the most interesting categories to judge, and I’m looking forward to seeing just how creative brands can be on a smaller budget!”               

Sethumadhavan added: “The World Media Awards always provides insight into how the top international advertising teams are driving engagement and success for global brands through content-led marketing strategies. After many years of leading B2B campaigns for major brands, I’m particularly excited to see that the jury will be evaluating B2B as a standalone sector category this year. Alongside Jasmin, I look forward to working with the judges to ensure that we surface the very best campaigns and give them the kudos they deserve.”

The World Media Awards offer a unique prize to each of the sector category winners. The winning entries are amplified in a worldwide advertising campaign valued at more than €750k running across the World Media Group’s leading international media brands. Members comprise BBC Global News, Business Insider, CNN, The Economist, Forbes, Fortune, National Geographic, The New York Times Company, Politico, Reuters, TIME, The Wall Street Journal, The Washington Post, and associate member, The Atlantic.

global media brands that make up the World Media Group.

Championing international trusted journalism

The WMAs are not-for-profit. 50 percent of the entry fee will be donated to Reporters Without Borders, which protects and supports journalism and freedom of speech around the world. Early bird entry fees before 28th June are £150. Entry fees after 28th June are £200. The exception to this is the Rising Star category, which is £50 to enter. The total entry fee for Rising Stars will be donated to Brixton Finishing School, which supports access to the advertising and media industry for under represented communities.

How to enter

You can enter the WMAs at  https://world-media-group.com/awards/how-to-enter/. Campaigns must have intentionally targeted audiences in at least three countries and 75% of the activity needs to have been implemented between April 2023 and June 2024. There is no requirement for campaigns to have run in any of the World Media Group brands. The closing date for entries is Thursday 12th September 2024.

Categories

This year there are 11 award categories plus the Content Leadership & Innovation award, which is judged based on nominations from WMG members. The jury will select the Grand Prix from amongst the following category winners:

  • Automotive
  • B2B
  • Corporate Influencer
  • Financial Services
  • Luxury & Lifestyle
  • Technology & Telecoms
  • Travel & Tourism

Specialist categories

The following four categories are designed to celebrate the power of great partnerships between brands and media owners; the potential for brand storytelling to drive progress on social issues; and to celebrate the next generation of talented individuals who are leading the way in delivering effective, creative and innovative solutions for brands.

  • Brand and Media Owner partnership
  • Small Budget, Great Impact
  • Rising Star
  • Social Good

Awards ceremony

The winners will be announced at an exclusive live ceremony on Thursday 21st November 2024. Shortlisted entrants will receive two free tickets to join the celebration as guests of the World Media Group, and additional tickets will be available for purchase.

** ENDS **

About The World Media Group

The World Media Group is a strategic alliance of leading international media organisations that connects brands with highly engaged, influential audiences in the context of trusted and renowned journalism. Its members include BBC News, Business Insider, CNN International, The Economist, Forbes, Fortune, National Geographic, The New York Times Company, Politico Europe, Reuters, TIME, The Wall Street Journal, The Washington Post, associate member The Atlantic, and partners Brand Metrics, Dianomi and Smartology. To find out more about the World Media Group, please visit www.world-media-group.com

Cymru Wales: ‘Wales To The World’ Takes Home the Coveted Grand Prix

 London, Friday 8th September 2023 – The World Media Group, an alliance of leading global media organisations united in championing trusted journalism, is delighted to announce Cymru Wales (the Welsh Government) as the Grand Prix winner of the 2023 World Media Awards.

The awards, presented by the World Media Group, are the only global awards to recognise brands, agencies and media partners who, together, create the most effective cross platform, cross border, content-driven advertising campaigns.

Brands including Adidas, Birkenstock, Bumble, Deutsche Telecom AG, DP World, Maersk, PGIM, Visa and Volkswagen were amongst those receiving accolades for their impressive category entries this year during the awards celebration at the Ham Yard Hotel in London.

Cymru Wales’ Grand Prix-winning campaign, ‘Wales To The World’, which also won the Travel & Tourism category, capitalised on the opportunity to showcase their nation to an international audience when Wales qualified for the FIFA World Cup finals for the first time in 64 years.

‘This is Wales, C’mon in’ invited the world to get to know more about Wales in an authentic, people-led campaign that communicated Wales’s brand proposition and embodied the nation’s values. The people of Wales became messengers — telling their nation’s stories, and championing its values, culture and traditions in an engaging, unscripted and authentically Welsh way.

“While the standard of all our finalists was impressive, the jury agreed that ‘Wales To The World’ sums up what is at the core of the World Media Awards’ ethos. It truly demonstrates how a powerful content-driven campaign in the right media environment can bring a story to life without compromising on authenticity,” said Belinda Barker, Chief Executive of the World Media Group.

“The Welsh Government did an amazing job bringing together different cultures and values in an integrated campaign that showcases Wales as a progressive nation with so much to offer. We can’t wait to come and visit!”

“The World Media Awards showcases the best in international content-driven marketing so it’s an honour to be listed amongst such a high calibre of finalists,” said Heledd Owen, Director of Marketing, Cymru Wales. “We’re delighted to be awarded this year’s Grand Prix for ‘Wales To The World‘. It means a lot to know that this campaign, which is just the beginning of our long-term strategy to raise the profile of Wales internationally, has been recognised by the industry. We look forward to sharing more stories from the heart of our nation in the next chapter.”

 A panel of 39 heavyweight jurors from leading international advertisers, agencies and publishers, co-chaired Jerry Daykin, Head of Global Media, Beam Suntory and Natasha Byrne, Managing Partner, UM, were tasked with selecting winners from the many global submissions. The full list of judges can be seen here. The World Media Awards Ceremony was supported by Smartology.

The full case studies for this year’s winning entries, along with the winners of previous years, are available to read in the World Media Group’s Creative Vault here.

The winners of the World Media Awards 2023 are as follows:

AUTOMOTIVE

Buzz – Feeling The Force Of A Perfect Partnership
Brand: Volkswagen ID Buzz
Entered by: PHD and Scholz&Friends

Judges’ Comments: Volkswagen chose a great brand ambassador in Ewan McGregor based on the insight that there was a strong link between their audience and the Star Wars audience, and the relaunch timing for both iconic brands. But more than that – the campaign had strong results, with a reach of over 5.7 billion and 20,000 preorders – a capacity order book.

CORPORATE INFLUENCER

Discover New Paths
Brand: Maersk
Entered by: Havas Business
Credits: &Co, Copenhagen

 Judges’ Comments: This campaign used every touchpoint to create a truly global impact.  The jury loved the involvement of the employees – creating internal ambassadors. Maersk tackled negativity about logistics head-on and succeeded in injecting emotion into B2B marketing. Plus, it achieved great results – two thirds of people who saw it went on to connect with Maersk.

FINANCIAL SERVICES

Protecting Gamers Protects Visa
Brand:
Visa
Entered by: Starcom Worldwide
Credits: Roblox, Venatus Media

Judges’ Comments: Visa had a clear objective to reach a Gen-Z audience, and the insightful analysis of Gen-Z audience behaviour in the gaming world meant a true value-led campaign could be created.

The judges also felt that Visa succeeded in brilliantly transforming the brand value of ‘security’ into a suit of armour for gaming avatars. And all of this executed in just eight weeks – very impressive!

Highly Commended:

OutFront
Brand: PGIM
Entered by: Reuters
Credits: Ptarmigan Media

 Judges’ Comments: In a sea of long format articles, blog posts and graphs that define this category, the judges highly appreciated the creative direction and craft of the creative execution of this strategy.

LUXURY & LIFESTYLE

Ozworld
Brand: adidas
Entered by: EssenceMediacom
Credits: Jam 3

 Judges’ Comments: The adidas team identified the ideal platform to connect with this unique audience, and came up with a strategy that reinforced the perceptions of the adidas brand as innovators.

This campaign turned a product range with historically declining sales into top-selling products -results which testify to the success of the campaign.

MEDIA & ENTERTAINMENT

Brand Anthem
Brand: Bumble
Entered by: Havas Media Group London

 Judges’ Comments: This campaign is a great example of a well-executed, international marketing strategy that also requires localisation of messaging – the Bumble team showed that they could deliver on complex coordination and delivered impressive results.

TECHNOLOGY & TELECOMS

 #WhatWeValue: Embracing Volunteerism With Gen Z
Brand: Deutsche Telekom AG
Entered by: Mindshare GmbH
Credits: emetriq GmbH, Publicis Sapient, Saatchi & Saatchi London, Proud Robinson & Partners

 Judges’ Comments: A meaningful and purposeful campaign built on the strong insight that Gen-Z want to give back and do something for each other – and that they have a particular focus on the future of the planet. The campaign engaged with the audience across multiple Gen-Z focused platforms with excellent results and also made a real difference – supporting 108 projects to help to make the world a better place.

TRAVEL & TOURISM & GRAND PRIX WINNER

Wales To The World
Brand: Cymru Wales (Welsh Government)
Entered by: Orchard Media and Events
Credits: iCrossing UK

Judges’ Comments: The passion came through in this entry and the jury felt that the Welsh Government team did more than just make the most of this World Cup moment. They addressed the difficulties arising from a clash of values, they embedded local storytelling into different cultures, and the modular creative approach enabled many stories to be told on the creative journey. Plus, there was a sense that this was the beginning of a strategy for Wales – the start of things to come.

Specialist Categories:

BRAND & MEDIA OWNER CATEGORY

Birkenstock: Ugly for a Reason
Brand: Birkenstock
Entered by: The New York Times Advertising

Judges’ Comments: This was an example of two brands coming together to achieve a mammoth task, to explain why Birkenstocks are the way they are. Birkenstocks, yes, are ugly but for a really good reason! And the New York Times with their reach and journalistic integrity were the perfect partner to explain that. The judges also loved the extensions of activity into social and events that kept the conversation going and benefitted both brands.

Highly Commended:

Trade In Transition
Brand: DP World
Entered by: Economist Impact

Judges’ Comments: The judges were impressed by the cut through that this research-based campaign achieved – and the strength of the results was reinforced by the fact that it was quoted by global influencers such as Christine Lagarde. 

RISING STAR

Obinna Iwuji
Wavemaker

Judges’ Comments: Obinna demonstrated an authentic approach and attitude to his work (no marketing speak), as well as an enthusiasm for the industry, and a passion to go the distance. He’s clearly excelling in his own right whilst also creating a legacy and carrying out amazing work outside of his day job.

Highly Commended: 

Teodora Tepavicharova
Condé Nast

Judges’ Comments: Teddy impressed the judges by, even at this early stage in her career, giving on to the next generation through mentoring.

SOCIAL GOOD

 #WhatWeValue: Embracing Volunteerism With GenZ
Brand: Deutsche Telekom AG
Entered by: Mindshare GmbH
Credits: emetriq GmbH, Publicis Sapient, Saatchi & Saatchi London, Proud Robinson & Partners

Judges’ Comments: This was more than a marketing campaign – real actions came out of it.  The brand demonstrated its support for young people’s commitment to change and promoted volunteerism – even flipping an NFT into a tool for enablement.  Deutsche Telekom knew their audience well and put money into the projects post-campaign

#ENDS#

Media contact:
Charlotte Panther T: 07834 431206 or E: Charlotte@world-media-group.com

About The World Media Group – Championing International Trusted Journalism
The World Media Group is a strategic alliance of leading international media organisations that connects brands with highly engaged, influential audiences in the context of trusted and renowned journalism. Its members include The Atlantic, BBC News, The Economist, Forbes, Fortune, Insider, National Geographic, Politico Europe, Reuters, The New York Times Company, The Smithsonian, TIME, The Wall Street Journal and The Washington Post, and partners Brand Metrics, Dianomi and Smartology. To find out more about the World Media Group, please visit www.world-media-group.com.

[vc_row][vc_column][vc_column_text]This month the World Media Group’s Chief Executive Belinda Barker chats to the winner of the World Media Award for Content Leadership and Innovation, Navin Rammohan, in a special edition of The Media Navigators podcast. Navin is Vice President, Segment Head Marketing at Infosys. Below is an extract of their conversation. You can watch the video below or listen to the full podcast here. [/vc_column_text][vc_column_text]

Congratulations Navin. Please can you start by telling our audience a little bit about who Infosys is and what you do as a business?

Infosys is a large global IT services and consulting organisation. We started off around 42 years back with a seed capital of around $250 with seven founders and today we are about $18 billion in revenue. We have 330,000 employees globally, and we are in 56 countries, managing our clients’ businesses around digital transformation. We look after the entire technology spectrum of large enterprise – the Global 2000, the Fortune 500 of the world, managing critical technology and different kinds of work related to their technology transformation. Just to give you an example, imagine an iconic automaker, which is looking at their cloud transformation, we look at how cloud can impact their car business for connected cars. Similarly, a government organisation that is looking to implement strategies for their SME businesses that want to use blockchain, we help them look at blockchain as a strategy for the small and medium industries within their constituencies. We look at AI to really help tennis players improve and manage their games and that’s some of the work that we do with sports organisations. In a sense we navigate the entire technology spectrum of medium to large enterprises around any kind of challenges they face, which technology can really solve. We define ourselves as an organisation which is there to help amplify human potential; to navigate the ‘next’ for people, businesses, and communities. The value systems that the founders put behind the organisation 42 years back still stand in terms of how we go about doing our business. We are proud of our ESG strategies. We became carbon neutral in 2019-2020, 30 years ahead of the Paris Agreement. In the social sustainability space, we’re implementing a strategy of re-skilling about 10 million people with digital skills. We are already at the halfway mark with 5 million people already on a platform that is provided free to enable people to learn digital skills. We are really proud of what we are doing ‘beyond business’ but I don’t think we can call it beyond business because now ESG is a core part of every organisation’s strategy. From a people perspective, learnability is one of the core strategies of Infosys. We have probably the world’s largest corporate university in Mysore, where we train close to 15,000 people simultaneously. Learning and constantly evolving ourselves to learn new technologies and bringing that to our clients’ business is core to Infosys. It’s about amplifying human potential to create the next opportunity for people, businesses, and communities. We are a people company that uses technology to really help better our clients.

What made you think that a content-led campaign was the right approach for Infosys and how did you get involved with the tennis partnership?

At Infosys we follow our content marketing approach with a theme called ‘UnMarketing’. It’s a very value-driven approach where we are not really marketing the technology, but we are creating marketing with the help of technology. Rather than creating TV commercials and campaigns, we want to create products and services and platforms using our technology, and that becomes our marketing. Tennis is a great example of what we are doing using the content marketing approach. We are building a digital platform for ATP, which helps players and coaches to understand statistics much better. It helps fans to engage with the game in a much more immersive way than if they had just watched it on TV. If you go to our platform that we have created on the website, the spectators can understand the game in a much more granular way, and that improves the fan engagement level. Infosys technology is the backbone of all these immersive experiences, and that becomes a marketable technology for us to showcase to our other clients. We go beyond the tennis audience and core stakeholders to our other business audiences to show them that what we can do with tennis data can easily be done with retail data or manufacturing data. That has been our philosophy in terms of an approach to marketing – the technology is used for creating products and services and platforms and digital experiences for any kind of business, and we use that to market ourselves. That has been the differentiating factor because it brings in authenticity and value. We’re talking from a place of complete knowledge; clients appreciate that, and it leads to meaningful engagement and conversations with them. We’ve taken this model to our other partnerships like The Economist Group. We have built their entire sustainability platform – it’s called The Sustainability Project. One of the problem statements that had come to us with was that their sustainability content was spread across the whole website and they wanted to bring it all together in a way that was personalised. They knew a lot about their audience and what they’re consuming, so how could they then target them better? We created a platform for them that is live on the Economist Impact website called The Sustainability Project, so every piece of content related to sustainability is in a single place. The Economist team is now able to target this audience in a much sharper way. They know what their audience is reading, how much they are liking it, how much time they are spending on the content, so it gives them insights into the new things they need to do in this space. It’s almost a Netflix kind of an experience that you’re bringing to sustainability content. Similarly, we are currently working on something called the Value Chain Navigator with them, which is a digital tool to look at how organisations around the world are looking at their Scope 3 emissions. While these are projects which are delivering business value to The Economist, it is also helping Infosys from a thought leadership perspective in the sustainability space. It helps us to build our credibility and, at the same time, we are building new technology solutions which are solving a real-world problem for our clients. Leading with content like this helps us to create a very differentiated kind of proposition, which is helping us in the market, both from a brand perspective as well as from a business impact perspective.

Content marketing has been a big trend over the last few years. Do you think that will continue and how will it morph in the future?

I think the definition of content has really changed. It’s no longer about text. It’s no longer about audio. It’s no longer about video. What we are seeing in the market is a lot about content being experiential and immersive. Every year, the number of digital channels and mediums are increasing. Whether it is Web3, GenAI now, whether it was the Metaverse, each of these trends have had a hype cycle. I’m not saying that as marketers, we should not ride some of these hype cycles. I think we should. But I think we should ride it in a way that is furthering the brand’s narrative. That’s the most important thing. How is it really adding to your brand story? How is it making it relevant to the audience that you’re trying to target? How is it relevant for the business you are in? For example, about two years back, the Financial Times, came to us with a business problem. They felt that the world of journalism was going to be very different in the next few years with people wanting to contribute to the content in some way, rather than just being passive listeners or audiences. They call this whole phenomenon ‘participative content’. We brainstormed with the visual journalism team at the Financial Times and came up with a gamification of the content. We created something called the FT Climate Game – a very immersive and scientifically based game with four personas that let you decide how you want to take decisions which will end up having a certain impact on the climate. The goal was to ensure that the temperature doesn’t rise above 1. 5 degrees. It was a fascinating way to reimagine content completely and give an understanding of the subject itself. Another example is something we created for the International Tennis Hall of Fame, based in Newport in Rhode Island. It’s where tennis started in the US and is the only grass court tournament there. All the legends of the game and every old artifact related to tennis are on display at the museum, but unless you go to Newport, you can’t see this fabulous museum. They came to us to ask how to take it global – they wanted every tennis fan globally to be able to experience the Hall of Fame in a way that is immersive and experiential, so we built a Metaverse. You can take your own avatar and move around this entire space, exploring the Hall of Fame and every artifact immersively, like you’re actually there. It was launched in July, and we’re seeing tremendous results. I think the content strategy is really evolving around creating content that is genuine, adds value, and builds in authenticity into every interaction that you do, which creates some kind of meaningful engagement with your target audience. I think that’s the direction where content is headed.

What is the one challenge or trend that you’ll be watching over the next 12 months?

With Gen AI now, there’s a huge amount of opportunity. We are experimenting with AI models to not just solve clients’ business problems, but also in marketing. We’re trying to see how we can push the narrative so that clients understand it in a much more immersive way. I think the Gen AI space is going to be very exciting in the next 12 to 24 months. We are keen to explore and create, but the principles for us will not change. We want to look at any of these new technologies with the same principles of making sure that it furthers the brand’s narrative, it adds value, and it really engages in a way that it is meaningful. I think the storytelling aspect of content is going to become much more important because it’s going to lead to a human-centric kind of content building. We are seeing that it has a much better resonance from our clients when we connect with them at a human level with our content. Thank you, Navin.   We look forward to presenting Navin with his award for Content Leader and Innovation at the World Media Awards ceremony of September 7th.  If you would like to join us in celebrating the very best in international content-driven marketing, tickets to the World Media Awards ceremony are available here. [/vc_column_text][/vc_column][/vc_row]

London – 05 September, 2023 – The World Media Group today announced the winner of the 2023 World Media Award (WMA) for Content Leadership & Innovation. This honour is awarded to the individual recognised by peers for talent in creating exemplary international content-driven campaigns that demonstrate brand bravery, creativity, and innovation. This year, the award is going to be presented to Navin Rammohan, Vice President, Segment Head Marketing at Infosys. Navin will receive his special award at this year’s WMA celebration in September.

Co-head Judges, Jerry Daykin, Head of Global Media, Beam Suntory and Natasha Byrne, Managing Partner, UM, along with Belinda Barker, Chief Executive of the World Media Group, agreed that Navin is an inspirational leader who pushes the boundaries of what is considered traditional content marketing, developing new models of collaboration, and using Infosys technologies to create unique experiences.

Navin was nominated for several innovative initiatives; most notably, the Infosys campaign around unifying power of sport to create more meaningful connections between tennis fans and players., Infosys collaborated with tournaments including ATP, Roland-Garros, the Australian Open & ITHF to create unforgettable sporting experiences for fans, players, and the media.

This included an industry-first, cloud-based SaaS system called the ‘Infosys tennis platform’, which aggregated multiple data sources. Infosys also launched a 3D art museum for Roland-Garros fans that encapsulated the heritage of the tournament, and they created a virtual platform during the Covid 19 pandemic to host 12,000 VIPs of the Australian Open.

The second campaign was The Sustainability Project for The Economist Group. As digital Innovation partner, Infosys Technologies is leveraging its cutting-edge capabilities to enable users to seamlessly navigate and engage with Economist Impact content and tools. Through a dynamic framework that customises, organises, and prioritises the content that matters most to readers, the combination of meaningful UX and intelligent integration of topics, formats and events ensures readers understand the most critical trends.

“World Media Group members once again nominated a host of exceptionally talented candidates for this year’s Content Leadership & Innovation Award,” said Belinda Barker, Chief Executive, the World Media Group. “Navinfought off the competition by demonstrating his ability to identify innovative marketing opportunities that simultaneously showcased Infosys’s technological expertise while delivering value to global audiences. In doing so, the Infosys campaigns under his leadership perfectly reflect the qualities we are looking for when we select our World Media Award winners.” 

The award will be given during an exclusive live ceremony at the Ham Yard Hotel in London, on Thursday 7th September 2023, where the final category winners will also be announced. The winner of this year’s prestigious Grand Prix Award will also be announced on the night, joining previous Grand Prix winners Johnnie Walker, London & Partners, Malaria No More UK, Shell, Sonos and Tata Motors as the ‘best of the best’.

Tickets for the World Media Awards  ceremony can be purchased here.

ENDS

Welcome to Trusted Journalism Matters, where we chat to World Media Group members about what quality journalism means to them. This month we meet Kim Vinnell, an international broadcast journalist and host of Reuters flagship daily news podcast, Reuters World News. We’re delighted to have Kim as our host for this year’s World Media Awards.

Here, she talks about the ‘glocality’ that makes Reuters unique, her faith in deep-rooted, in-depth journalism, and why she believes journalists renowned for their impartial and factual reporting and will continue to be prized.

Why does trusted journalism matter to you and what attracted you to working for Reuters? 

Now more than ever, we need journalism we can trust. The media landscape is polarised, commercial priorities have seen a shift toward opinion as opposed to fact, AI presents all-new challenges, and context and nuance is so often lost.

Working for Reuters has meant I can surround myself with journalists of the highest calibre, who are drawn to this profession because they believe in the importance of an informed public and independent journalism. I was also drawn to Reuters Trust Principles, which are the drivers behind all of our work, and which enable us to maintain the trust we have built over many years in this industry.

Tell us about the ethos at the heart of Reuters.

Reuters values integrity, independence and freedom from bias, while always striving to innovate and be agile in delivering on its mission to bring ‘the world to the world.’ Our factual and unbiased journalism allows us to maintain a leading position in the fast-paced ever-changing journalism landscape.

What is it that your audience looks for in Reuters content and have you experienced any behavioural changes in recent years?

As a fairly recent recruit, I’m probably the wrong person to ask about behavioural changes of our audience! However, in my career across networks and outlets, I have noticed a clear shift toward ensuring news is understandable (goodbye news-speak), that content goes to where the audience is (multi-platform approaches) and that people (despite all the predications) are still willing to put in the time to read, watch or listen to quality journalism.

Why is an international perspective so important in current times? 

A global perspective has always been important. But I believe we are now more aware of it than ever. From the climate crisis, to understanding how the war in Ukraine impacts global energy and food prices, to the Covid pandemic and the ensuing vaccine inequality… we are faced daily with local stories that impact every industry and community around the world.

That’s part of what makes Reuters truly unique. Our ‘glocality’ – the combination of our deep local expertise in the 200 locations we report in around the world with the global perspective and reach of our newsroom of more than 2500 journalists.

What innovation or story are you personally most proud of?

I am immensely proud of our Reuters World News podcast team. We are a small team which only launched six months ago – but already we are surpassing expectations on listenership, retention, and audio production standards. If you haven’t listened to the podcast yet, please do give it a go! It’s a ten minute daily global news podcast, which takes our listeners around the world, to cover the must-know stories of the day, utilising the incredible breadth of Reuters global journalistic talent.

How do you visualise the future of the journalism?

I think in-depth, deeply reported journalism will continue to take centre stage. I think trained journalists with reputations for being impartial and factual will continue to be prized, especially as AI and its ‘hallucinations’ come to the fore.

[vc_row][vc_column][vc_column_text]With such a high calibre of candidates nominated for our Rising Star Award this year, the judges have a tough job on their hands. The award recognises those talented individuals who are making a significant impact to the creativity and effectiveness of content-led advertising strategies early on in their careers.

A big congratulations to our five shortlisted nominees! Here’s why their companies thought they deserved to be nominated. The winner will be announced at the World Media Awards ceremony on Thursday 7th September.[/vc_column_text][vc_custom_heading text=”Rosie Duckworth, Account Executive, UM”][vc_single_image image=”22911″][vc_column_text]Rosie has been an integral part of the UM International team for about a year since she joined after university as an Account Executive. Impressing us right from the interview process, Rosie keeps shining with her brightness, curiosity and dedication to the work, her clients, and her team. Her positive attitude and strong work ethic have led her to become a rising star within her team as well as in the agency. UM are lucky to have her.

While Rosie’s contributions span multiple accounts, she recently played a vital role in launching a multi-market, multi-channel campaign for one of our biggest clients, Accenture. The launch was no easy feat as it came at a time where team capabilities were reduced, but Rosie brilliantly managed the process and ensured a smooth and timely launch.[/vc_column_text][vc_custom_heading text=”Tilman Henschke, Strategy Manager, Crossmedia UK”][vc_single_image image=”22912″][vc_column_text]Ever wished you could hire someone straight out of university who can take whatever you throw at them head on? We discovered that person in Tilman. He embraces new challenges and consistently leverages his knowledge to add value and interest to his role. From Account Management to Data Analyst and ultimately to Strategist, his positive attitude, combined with his natural intelligence, curiosity and humility, allows him to tackle any task and completely go beyond expectations.

Tilman has taken Crossmedia’s “Boutique at Scale” approach to a whole new level, ensuring that all work produced is tailored to clients and their objectives, resulting in the best possible outcomes while also challenging them to think differently. His thorough work for S&P Global includes analysing brand measurement studies and continuously adapting and refining details to help marketers demonstrate the value of paid advertising.[/vc_column_text][vc_custom_heading text=”Teodora (Teddy) Tepavicharova, Senior Programmatic Strategy Manager, Condé Nast “][vc_single_image image=”22913″][vc_column_text]Teddy is at the forefront of leading the strategic development of Condé Nast’s go-to-market approach for Programmatic. She has achieved unprecedented success by increasing the company’s digital revenue, making a significant contribution to the EMEA earnings.

Well respected and with numerous award-winning campaigns under her belt, Teddy has a reputation for driving results and business growth. Her deep knowledge allows her to incorporate bespoke strategic media solutions that deliver impressive results for global clients. Moreover, she serves as an internal and external strategic consultant, educating clients and agencies on Programmatic advertising.

An industry speaker and a leading champion of diversity and inclusion, Teddy is a changemaker in the field. She also serves as a mentor in the OK! Mentorship program. Going above and beyond for the community, Teddy has been awarded a “Citizenship Award” and “Leadership Award” for initiating projects and events, fundraising thousands to support local and national charities.[/vc_column_text][vc_custom_heading text=”Sakshi Bhambhani, Digital Director, OMD”][vc_single_image image=”22914″][vc_column_text]Sakshi joined the international OMD team as Senior Manager in 2021, after moving from India to London during the Pandemic. Since then, she has elevated agency and client profiles by translating her passion points around people, culture, Data, and Tech into tangible business outcomes. Sakshi has been crucial in driving digital transformation for OMD’s global clients.

Beyond Data and Tech, she is passionate about people and culture and has developed agency-wide training promoting DEI solutions and comprehensive onboarding programs for graduates entering the media world. She has also mentored four female graduates with their career planning.

Her impact speaks for itself: Within a year, Sakshi was promoted to Digital Director, was named the agency’s MVP (Most Valuable Player), and also received an award for ‘Best Client Impact’ after opening new revenue workstreams that are producing excellent results.[/vc_column_text][vc_custom_heading text=”Obinna Iwuji, Content Partnership Manager, Wavemaker”][vc_single_image image=”22915″][vc_column_text]Since joining Wavemaker at the end of 2020, Obinna has taken on leadership of the employee resource group, Wavemaker Roots. He leads a team of 12 people who create opportunities for growth for Wavemaker employees by organising public speaking workshops. The sessions aim to support women and people of colour to boost their confidence when presenting publicly and teaches them how to create their personal brand.

As a result, Obinna has fostered a community of people interested in cultural inclusion in advertising. With this, he has contributed to client pitches and brainstorms, created several community events – from fundraisers to public speaking workshops – and established opportunities for employee growth through the creation of mentorship programs. These events have people as senior as the Global CEO dedicating time to mentoring mid to junior level employees.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]

Strong Increase Across Corporate Influencer, Financial Services and Rising Star Categories

London, Tuesday 27th June: The World Media Group has announced the shortlist for the 2023 World Media Awards (WMAs), which showcase the best in international content-driven, cross-border advertising. The awards drove strong international interest across APAC, EMEA and the Americas attracting entries from Belgium, Canada, Chile, France, Germany, Ireland, Singapore, Turkey, UK and the USA, UAE to highlight a few.

This year, entries increased by 100% in the Corporate Influencer category and 63% in the Financial Services category compared to last year. Entries for the Rising Star category – introduced last year to recognise talented individuals who are making a significant impact to the creativity and effectiveness of content-led advertising strategies early on in their careers – have more than doubled.

The shortlist, which includes a wide variety of renowned brands, was decided by an international team of 39 heavyweight jurors from leading advertisers, agencies and publishers. The jury’s make up reflects the vital importance of collaboration between all three parties when creating effective content-driven marketing campaigns. This year’s Co-chairs are Jerry Daykin, Head of Global Media, Beam Suntory and Natasha Byrne, Managing Partner, UM. You can see the full list of judges here.

“I was delighted to see so many high-quality entries which were insight-led and data-driven across all categories, but it was particularly interesting to see such an increase in strong campaigns from the Financial Services sector, perhaps a reflection of the need for financial institutions to set themselves apart from the competition in the current economic climate,” said Natasha Byrne, Managing Partner, UM.

“The number of strong candidates competing for this year’s Rising Star award blew me away,” said Jerry Daykin, Head of Global Media, Beam Suntory. “Shortlisting this impressive list of entries was tough, but it gives me confidence that brands are in safe hands for years to come. This next generation of savvy marketers are already showing such innovation with their contributions to international, content-led, advertising, it’s truly inspiring.”

World Media Awards Event: The final category winners will be announced during an exclusive live ceremony at the Ham Yard Hotel in London on Thursday 7th September 2023 The winner of this year’s prestigious Grand Prix Award will also be announced on the night, joining brands such as Johnnie Walker, London & Partners, Malaria No More, Shell, Sonos and Tata Motors, who have taken home the prize in previous years.

Winners’ Perks: The Awards are unique in that all winners not only walk away with a trophy and kudos on the night, but will also see their work celebrated in an exclusive worldwide advertising campaign valued at €750k+ which will run across the World Media Group’s leading international media brands comprising The Atlantic, BBC News, Insider, The Economist, Forbes, Fortune, National Geographic, Reuters, Politico Europe, The New York Times, The Smithsonian, TIME, The Wall Street Journal and The Washington Post.

The 2023 shortlist is as follows:

Automotive

Brand / Campaign Entered by
Audi – Audi Future | 4ward | Sustainability TIME
VolkswagenThe Force Is Strong, United! PHD Germany
Volkswagen Group – MMP: Multi Brand Activation Omnicom Group
Volkswagen ID. Buzz – Feeling The Force Of A Perfect Partnership PHD and Scholz&Friends

Corporate Influencer

Brand / Campaign Entered by
Brand Scotland – Scotland: More Than You Thought BBC StoryWorks
Haleon– The Health Inclusivity Index Economist Impact
Iberdrola – The Power Playbook: How Leaders Use Renewables The Trust at The Wall Street Journal | Barron’s Group
Iberdrola – Building A Green Energy Major Headland Consultancy
Maersk –Discover New Paths Havas Business

Financial Services

Brand / Campaign Entered by
Invest Europe– A Different Angle: Funding people, With Purpose Invest Europe
iShares by BlackRock– Index More Mindshare
PGIM – OutFront Reuters
Visa – Protecting Gamers Protects Visa Starcom Worldwide
Visa – Visa: The Right Way To Right Attention Starcom Worldwide

Luxury & Lifestyle

Brand / Campaign Entered by
adidas– Ozworld EssenceMediacom
Birkenstock – Birkenstock & The New York Times Advertising “Ugly for a Reason” The New York Times Advertising
Boucheron– Media Beyond Gender iProspect Global

Media & Entertainment

Brand / Campaign Entered by
Bumble – Brand Anthem Havas Media Group London
PlayStation– # GameTok EssenceMediacom
Reuters – Reuters NEXT Thomson Reuters

Technology & Telecoms

Brand / Campaign Entered by
Dell – Dell x VMware x CIO: Be Ready For The Future Foundry, an IDG, Inc. company
Deutsche Telekom AG – #WhatWeValue: Embracing Volunteerism With Gen Z Mindshare GmbH
Samsung Galaxy Z Flip 4 – Samsung Galaxy: Flipping Perceptions With StemDrop Starcom Worldwide

Travel & Tourism

Brand  / Campaign Entered by
Abu Dhabi TourismAbu Dhabi Unwrapped: A Sonic Travel Guide BBC StoryWorks
Cymru Wales (Welsh Government) – Wales To The World Orchard Media and Events
Let’s Do London 2022 – Let’s Do London Wavemaker Global
Travel Manitoba– Canada’s Heart Is Calling Travel Manitoba

Specialist Categories:

Brand & Media Owner Partnership

Brand / Campaign Entered by
Birkenstock – Birkenstock & The New York Times Advertising “Ugly for a Reason” The New York Times Advertising
DP World – Trade In Transition Economist Impact
Kyndryl – Profiles Of Progress Economist Impact
Target – Remezcla + Target Remezcla

Rising Star

Name Company
Tilman Henschke   Crossmedia
Teodora Tepavicharova Condé Nast
Sakshi Bhambhani OMD EMEA
Rosie Duckworth UM
Obinna Iwuji Wavemaker

Social Good

Brand / Campaign Entered by
Deutsche Telekom AG – #WhatWeValue: Embracing Volunteerism With GenZ Mindshare GmbH
Haleon– The Health Inclusivity Index Economist Impact
Leaps by Bayer–Crossing The Line BBC StoryWorks
Samsung – Putting Samsung Live Recommerce At The Heart Of World Environment Day Starcom Worldwide

For full details of shortlisted entries go to https://world-media-group.com/awards/2023-shortlist/

#ENDS#.

Media contact:

Charlotte Panther T: 07834 431206 or E: Charlotte@world-media-group.com

About The World Media Group

The World Media Group is a strategic alliance of leading international media organisations that connects brands with highly engaged, influential audiences in the context of trusted and renowned journalism. Its members include The Atlantic, BBC News, The Economist, Forbes, Fortune, Insider, National Geographic, Politico Europe, Reuters, The New York Times Company, The Smithsonian, TIME, The Wall Street Journal and The Washington Post, and partners Brand Metrics, Dianomi and Smartology. To find out more about the World Media Group, please visit www.world-media-group.com.

Organisers call out for ‘Rising Star’ nominations – the young talent making an impact today

London, Wednesday 18th January, 2023: The 2023 World Media Awards (WMAs) are open for entry today, offering ten categories to recognise the very best in cross platform, cross border, content-driven advertising. Hosted by the World Media Group, a strategic alliance of global publishers that promotes award-winning journalism and the role of international media, the WMAs are now in their eighth year.

Nominate your Rising Star!

In addition to the individual sector categories for content, the organisers are encouraging nominations for the Rising Star award, which recognises talented individuals who are making a significant impact to the creativity and effectiveness of content-led advertising strategies, early on in their careers.

 “The World Media Group supports inclusion and engagement across the media industry. The Rising Star Award was added to shine a spotlight on some of the talented young individuals who are pushing the boundaries of content marketing today,” said Damian Douglas, President of the World Media Group and Managing Director, EMEA, at TIME. “We encourage media owners, agencies and brands to put forward their Rising Stars, so we can recognise and reward their hard work and achievements in content-driven advertising.”

The World Media Awards offer a unique prize to each of the sector category winners. The winning entries are amplified in a worldwide advertising campaign valued at more than €750k running across the World Media Group’s leading international media brands. Members comprise The Atlantic, BBC Global News, The Economist, Forbes, Fortune, National Geographic, Insider, Politico Europe, Reuters, The New York Times Company, Smithsonian, TIME, The Wall Street Journal and The Washington Post.

Championing international trusted journalism

The WMAs are the only awards to celebrate the collaboration between brands, agencies and media partners to create powerful international content campaigns and are not for profit, with £50 of every £100 entry fee donated to Reporters Without Borders.

“The World Media Group is committed to championing and promoting the very best in trusted global journalism so we’re proud to have Reporters Without Borders as a partner,” said Belinda Barker, Chief Executive of the World Media Group. “The charity protects and supports journalism and freedom of speech around the world, a cause that reflects the ethos of the World Media Group member brands. We’re delighted that the World Media Awards can contribute to supporting this vital cause.”

 A panel of international judges

 To reflect the importance of collaboration in creating successful international, content-driven advertising campaigns, the independent jury is made up of heavy-weight judges from brands, agencies and media owners. Leading this year’s line-up are co-chairs Jerry Daykin, Head of Global Media, Beam Suntory and Natasha Byrne, Managing Partner, UM.

You can find out more about this year’s judges here.

How to enter 

You can enter the WMAs at https://worldmedia.awardsplatform.com/.

Campaigns must have intentionally targeted audiences in at least three countries and 75% of activity needs to have been implemented between January 2022 and March 2023. There is no requirement for campaigns to have run in any of the World Media Group brands. The closing date for entries is 18th May 2023.

Categories 

This year there are ten Award categories open for general entry including ‘Rising Star’ and ‘Social Good’, along with the Content Leadership & Innovation award, which invites nominations from WMG members. The jury will select the Grand Prix from amongst the following category winners:

  • Automotive
  • Brand & Media Owner Partnership
  • Corporate Influencer
  • Financial Services
  • Luxury & Lifestyle
  • Media & Entertainment
  • Technology & Telecoms
  • Travel & Tourism

Awards ceremony

The winners will be announced at an exclusive live ceremony on Thursday 7th September 2023. Shortlisted entrants will receive two free tickets to join the celebration as guests of the World Media Group, and additional tickets will be available for purchase.

** ENDS **

About The World Media Group
The World Media Group is a strategic alliance of leading international media organisations that connects brands with highly engaged, influential audiences in the context of trusted and renowned journalism. Its members include The Atlantic, BBC Global News, The Economist, Forbes, Fortune, Insider, National Geographic, Politico Europe, Reuters, The New York Times Company, The Smithsonian, TIME, The Wall Street Journal and The Washington Post, and partners Brand Metrics, Dianomi and Smartology. To find out more about the World Media Group, please visit www.world-media-group.com.

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Working for a government department, are there any restrictions you’ve come up against that limit what you can do with your content marketing campaigns? If so, how have you combatted that?

The only limits are those we place ourselves, when we limit our own creativity or imagination. Of course, there are technical limitations or financial boundaries we can’t cross but these only limit our ability to execute the ideas in the way we initially intended. There’s nothing stopping us from executing them differently.

When you look at what we’ve produced over the past few years, the scale, innovation and ambition we’ve demonstrated, you clearly see we live and breathe our country’s motto: Impossible is Possible. We thrive on these three words.

 

Why do you think there’s been a growth in content-led advertising campaigns over the last few years?

Capturing and retaining people’s attention, when there is an avalanche of messages and sources of distraction, is the real battle for marketers. This is particularly poignant when attention spans are dropping to levels below those of a goldfish, at around eight seconds today. There is also a deficit of trust in a lot of institutions. Traditional messages, interruptive ads or communications are no longer cutting through the way they once did.

While personalisation helps, if done sensibly, what really gets through to people is content-based communications. Content gets you found, liked and, where applicable, bought. It builds awareness and credibility in a far less intrusive way than traditional advertising. What’s more, it’s shareable. It doesn’t matter if you don’t become viral, you will still expand your audience when people share your content with their friends and followers.

Brands are thinking and acting more and more as publishers. If they put their audience’s needs first, they stand to get levels of trust, affinity, attention, and preference ad campaigns can only dream of.

 

What are the biggest changes you’ve noticed in content over the last five years and what sort of trends do you expect to see in the future?

Like most things, content has moved from print to digital platforms. We’re therefore focusing more and more on audio-visual and, interestingly, voice, with podcasts. While social media has led to the bitesizification (wish I could trademark this) of content, I do believe there is also a place for long-form. Look at the performance of documentaries.

Obviously, while content is largely used to build a brand and its affinity, including by championing causes or promoting social responsibility, marketers still want it to generate leads or sales. We’re probably going to see more efforts in this direction.

Another aspect is the deprecation of third-party cookies on Chrome and the focus on first-party data it will eventually generate. Marketing to a database of known consumers or visitors will heavily rely on content to push people down the funnel and rely on its shareability to contribute to audience expansion.

 

With a recession potentially on the horizon, do you think now is the right time for brands to invest more heavily in marketing or will we see the industry cutting back?

Typically, with any signs of economic contraction and lower revenues, most businesses respond with cost-cutting measures. Some will go further and reduce or delay investments. What appears to be financial prudence could actually be the corporate equivalent of shooting yourself in the foot when it comes to marketing.

With every crisis or downturn marketers go through the same debate, should we/shouldn’t we, with agencies and industry associations trying to convince the others about what course to take. There is ample evidence that short-term budget-cutting reactions are never as effective as long-term investments for brands – or the economy. Brands that keep on investing through a crisis bounce back better and maintain or grow their share better than those that cut budgets

A downturn also presents opportunities to invest in your brands with better commercial conditions and less competitive pressure. I am not advocating recklessness of course, just looking outside the box and a bit of bravery. Call it a leap of faith.

 

What do you think the specific challenges will be for your sector in the year ahead?

Besides a general contraction in revenues and therefore budgets, possibly, we’re likely to see a lower appetite for international investments and possibly tourism, with inflation cutting into budgets. It’s nothing we haven’t seen before though, and certainly not as unexpected as the pandemic. We have a built-in resilience, I feel, in our economy. Every time, we’re returning to pre-crisis levels faster than the previous downturn. We may get bruised, but we don’t get scars, which is a good thing.

In terms of communications, as tech makes everything immediate and accessible, government communications need to become much more two-way, fast and effective. This is particularly true for Gen Z consumers. Rather than campaign-based, we’re adopting always-on more and more.

 

One of the reasons you were nominated for the award was because of the transformative way you approach communications, behaving more like a brand than an institution. What’s the one piece of advice you would give to your peers in other government institutions?

Creativity is not just for commercial brands but also for public sector brands, which often have a greater purpose to fulfil. From nation-building to branding, from philanthropy to public diplomacy, from small trips to interstellar missions, we’ve transformed the way the UAE Government communicates. And it’s won multiple awards at some of the most prestigious festivals. How did we achieve this? We went All Out.

First, we OutEmphathised: we became people-centric to always humanise our communications and ensure they are meaningful. Second, we decided to OutThink: we became bold, unique, distinctive and brave enough to test, experiment and dare to truly innovate and capture attention. We also OutCared: we found and pushed a greater purpose in our work. Finally, we OutCollaborated: we developed many collaborations with partners, not suppliers, who share your vision and contribute multiple perspectives for better results.

At the UAE Government Media Office, we ensure the strategic communication needs of the government are met, helping it communicate with its domestic and international audiences on a broad range of challenges and initiatives. This includes working on the Emirates’ nation brand. We’re particularly focused on soft power and public diplomacy strategies, managing the visual media identity, and managing media campaigns for strategic national projects and official events. At the Mohammed Bin Rashid Al Maktoum Global Initiatives, we ensure the success of philanthropic and developmental campaigns through smart media ideas and activations.

 

Finally, what campaign are you most proud of and why?

I have a soft spot for the World’s Tallest Donation Box. The idea was to sell each LED light on the façade of the Burj Khalifa, the tallest building in the world, to raise money for the 10 Million Meals campaign. We gamified the humanitarian campaign by putting the Burj Khalifa on sale. Each one of the 1.2 million lights was sold, providing 1.2 million meals to people directly or indirectly affected by the COVID-19 outbreak across the country. This shining display of social solidarity and cohesion brought hope and smiles to people who needed it the most.

Institutions, companies and the general public bought one or more lights for 10 AED ($2.7) each. One light would provide one meal. The skyscraper’s 1.2 million lights turned it into a beacon of generosity. This got global attention and the media around the world featured the story and images of Burj Khalifa powered by kindness. This is marketing as a force for good.

This campaign has been a massive success, providing meals for the needy, positive PR for the UAE, contributing to building the nation brand, and gaining an impressive number of awards (70 in total). More importantly, it helped the 10 Million Meals campaign exceed its goal by over 50%, raising enough funds to provide 15.3 million meals to low-income families and individuals impacted by the pandemic.

 

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Brands including Accenture, Citi, De Beers, Forbes, Hyundai, Lombard Odier, Mærsk, Reuters, Samsung / Samsung Galaxy, Sony Pictures Entertainment, Visit Sweden and Volkswagen were amongst those receiving accolades for their impressive category entries this year during the awards celebration at the Ham Yard Hotel in London.

The full case studies for this year’s winning entries, along with the winners of previous years, are available to read in the World Media Group’s Creative Vault here.