[vc_row][vc_column][vc_column_text]This month the World Media Group’s Chief Executive Belinda Barker chats to the winner of the World Media Award for Content Leadership and Innovation, Navin Rammohan, in a special edition of The Media Navigators podcast. Navin is Vice President, Segment Head Marketing at Infosys. Below is an extract of their conversation. You can watch the video below or listen to the full podcast here. [/vc_column_text][vc_column_text]

Congratulations Navin. Please can you start by telling our audience a little bit about who Infosys is and what you do as a business?

Infosys is a large global IT services and consulting organisation. We started off around 42 years back with a seed capital of around $250 with seven founders and today we are about $18 billion in revenue. We have 330,000 employees globally, and we are in 56 countries, managing our clients’ businesses around digital transformation. We look after the entire technology spectrum of large enterprise – the Global 2000, the Fortune 500 of the world, managing critical technology and different kinds of work related to their technology transformation. Just to give you an example, imagine an iconic automaker, which is looking at their cloud transformation, we look at how cloud can impact their car business for connected cars. Similarly, a government organisation that is looking to implement strategies for their SME businesses that want to use blockchain, we help them look at blockchain as a strategy for the small and medium industries within their constituencies. We look at AI to really help tennis players improve and manage their games and that’s some of the work that we do with sports organisations. In a sense we navigate the entire technology spectrum of medium to large enterprises around any kind of challenges they face, which technology can really solve. We define ourselves as an organisation which is there to help amplify human potential; to navigate the ‘next’ for people, businesses, and communities. The value systems that the founders put behind the organisation 42 years back still stand in terms of how we go about doing our business. We are proud of our ESG strategies. We became carbon neutral in 2019-2020, 30 years ahead of the Paris Agreement. In the social sustainability space, we’re implementing a strategy of re-skilling about 10 million people with digital skills. We are already at the halfway mark with 5 million people already on a platform that is provided free to enable people to learn digital skills. We are really proud of what we are doing ‘beyond business’ but I don’t think we can call it beyond business because now ESG is a core part of every organisation’s strategy. From a people perspective, learnability is one of the core strategies of Infosys. We have probably the world’s largest corporate university in Mysore, where we train close to 15,000 people simultaneously. Learning and constantly evolving ourselves to learn new technologies and bringing that to our clients’ business is core to Infosys. It’s about amplifying human potential to create the next opportunity for people, businesses, and communities. We are a people company that uses technology to really help better our clients.

What made you think that a content-led campaign was the right approach for Infosys and how did you get involved with the tennis partnership?

At Infosys we follow our content marketing approach with a theme called ‘UnMarketing’. It’s a very value-driven approach where we are not really marketing the technology, but we are creating marketing with the help of technology. Rather than creating TV commercials and campaigns, we want to create products and services and platforms using our technology, and that becomes our marketing. Tennis is a great example of what we are doing using the content marketing approach. We are building a digital platform for ATP, which helps players and coaches to understand statistics much better. It helps fans to engage with the game in a much more immersive way than if they had just watched it on TV. If you go to our platform that we have created on the website, the spectators can understand the game in a much more granular way, and that improves the fan engagement level. Infosys technology is the backbone of all these immersive experiences, and that becomes a marketable technology for us to showcase to our other clients. We go beyond the tennis audience and core stakeholders to our other business audiences to show them that what we can do with tennis data can easily be done with retail data or manufacturing data. That has been our philosophy in terms of an approach to marketing – the technology is used for creating products and services and platforms and digital experiences for any kind of business, and we use that to market ourselves. That has been the differentiating factor because it brings in authenticity and value. We’re talking from a place of complete knowledge; clients appreciate that, and it leads to meaningful engagement and conversations with them. We’ve taken this model to our other partnerships like The Economist Group. We have built their entire sustainability platform – it’s called The Sustainability Project. One of the problem statements that had come to us with was that their sustainability content was spread across the whole website and they wanted to bring it all together in a way that was personalised. They knew a lot about their audience and what they’re consuming, so how could they then target them better? We created a platform for them that is live on the Economist Impact website called The Sustainability Project, so every piece of content related to sustainability is in a single place. The Economist team is now able to target this audience in a much sharper way. They know what their audience is reading, how much they are liking it, how much time they are spending on the content, so it gives them insights into the new things they need to do in this space. It’s almost a Netflix kind of an experience that you’re bringing to sustainability content. Similarly, we are currently working on something called the Value Chain Navigator with them, which is a digital tool to look at how organisations around the world are looking at their Scope 3 emissions. While these are projects which are delivering business value to The Economist, it is also helping Infosys from a thought leadership perspective in the sustainability space. It helps us to build our credibility and, at the same time, we are building new technology solutions which are solving a real-world problem for our clients. Leading with content like this helps us to create a very differentiated kind of proposition, which is helping us in the market, both from a brand perspective as well as from a business impact perspective.

Content marketing has been a big trend over the last few years. Do you think that will continue and how will it morph in the future?

I think the definition of content has really changed. It’s no longer about text. It’s no longer about audio. It’s no longer about video. What we are seeing in the market is a lot about content being experiential and immersive. Every year, the number of digital channels and mediums are increasing. Whether it is Web3, GenAI now, whether it was the Metaverse, each of these trends have had a hype cycle. I’m not saying that as marketers, we should not ride some of these hype cycles. I think we should. But I think we should ride it in a way that is furthering the brand’s narrative. That’s the most important thing. How is it really adding to your brand story? How is it making it relevant to the audience that you’re trying to target? How is it relevant for the business you are in? For example, about two years back, the Financial Times, came to us with a business problem. They felt that the world of journalism was going to be very different in the next few years with people wanting to contribute to the content in some way, rather than just being passive listeners or audiences. They call this whole phenomenon ‘participative content’. We brainstormed with the visual journalism team at the Financial Times and came up with a gamification of the content. We created something called the FT Climate Game – a very immersive and scientifically based game with four personas that let you decide how you want to take decisions which will end up having a certain impact on the climate. The goal was to ensure that the temperature doesn’t rise above 1. 5 degrees. It was a fascinating way to reimagine content completely and give an understanding of the subject itself. Another example is something we created for the International Tennis Hall of Fame, based in Newport in Rhode Island. It’s where tennis started in the US and is the only grass court tournament there. All the legends of the game and every old artifact related to tennis are on display at the museum, but unless you go to Newport, you can’t see this fabulous museum. They came to us to ask how to take it global – they wanted every tennis fan globally to be able to experience the Hall of Fame in a way that is immersive and experiential, so we built a Metaverse. You can take your own avatar and move around this entire space, exploring the Hall of Fame and every artifact immersively, like you’re actually there. It was launched in July, and we’re seeing tremendous results. I think the content strategy is really evolving around creating content that is genuine, adds value, and builds in authenticity into every interaction that you do, which creates some kind of meaningful engagement with your target audience. I think that’s the direction where content is headed.

What is the one challenge or trend that you’ll be watching over the next 12 months?

With Gen AI now, there’s a huge amount of opportunity. We are experimenting with AI models to not just solve clients’ business problems, but also in marketing. We’re trying to see how we can push the narrative so that clients understand it in a much more immersive way. I think the Gen AI space is going to be very exciting in the next 12 to 24 months. We are keen to explore and create, but the principles for us will not change. We want to look at any of these new technologies with the same principles of making sure that it furthers the brand’s narrative, it adds value, and it really engages in a way that it is meaningful. I think the storytelling aspect of content is going to become much more important because it’s going to lead to a human-centric kind of content building. We are seeing that it has a much better resonance from our clients when we connect with them at a human level with our content. Thank you, Navin.   We look forward to presenting Navin with his award for Content Leader and Innovation at the World Media Awards ceremony of September 7th.  If you would like to join us in celebrating the very best in international content-driven marketing, tickets to the World Media Awards ceremony are available here. [/vc_column_text][/vc_column][/vc_row]

London – 05 September, 2023 – The World Media Group today announced the winner of the 2023 World Media Award (WMA) for Content Leadership & Innovation. This honour is awarded to the individual recognised by peers for talent in creating exemplary international content-driven campaigns that demonstrate brand bravery, creativity, and innovation. This year, the award is going to be presented to Navin Rammohan, Vice President, Segment Head Marketing at Infosys. Navin will receive his special award at this year’s WMA celebration in September.

Co-head Judges, Jerry Daykin, Head of Global Media, Beam Suntory and Natasha Byrne, Managing Partner, UM, along with Belinda Barker, Chief Executive of the World Media Group, agreed that Navin is an inspirational leader who pushes the boundaries of what is considered traditional content marketing, developing new models of collaboration, and using Infosys technologies to create unique experiences.

Navin was nominated for several innovative initiatives; most notably, the Infosys campaign around unifying power of sport to create more meaningful connections between tennis fans and players., Infosys collaborated with tournaments including ATP, Roland-Garros, the Australian Open & ITHF to create unforgettable sporting experiences for fans, players, and the media.

This included an industry-first, cloud-based SaaS system called the ‘Infosys tennis platform’, which aggregated multiple data sources. Infosys also launched a 3D art museum for Roland-Garros fans that encapsulated the heritage of the tournament, and they created a virtual platform during the Covid 19 pandemic to host 12,000 VIPs of the Australian Open.

The second campaign was The Sustainability Project for The Economist Group. As digital Innovation partner, Infosys Technologies is leveraging its cutting-edge capabilities to enable users to seamlessly navigate and engage with Economist Impact content and tools. Through a dynamic framework that customises, organises, and prioritises the content that matters most to readers, the combination of meaningful UX and intelligent integration of topics, formats and events ensures readers understand the most critical trends.

“World Media Group members once again nominated a host of exceptionally talented candidates for this year’s Content Leadership & Innovation Award,” said Belinda Barker, Chief Executive, the World Media Group. “Navinfought off the competition by demonstrating his ability to identify innovative marketing opportunities that simultaneously showcased Infosys’s technological expertise while delivering value to global audiences. In doing so, the Infosys campaigns under his leadership perfectly reflect the qualities we are looking for when we select our World Media Award winners.” 

The award will be given during an exclusive live ceremony at the Ham Yard Hotel in London, on Thursday 7th September 2023, where the final category winners will also be announced. The winner of this year’s prestigious Grand Prix Award will also be announced on the night, joining previous Grand Prix winners Johnnie Walker, London & Partners, Malaria No More UK, Shell, Sonos and Tata Motors as the ‘best of the best’.

Tickets for the World Media Awards  ceremony can be purchased here.

ENDS

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Working for a government department, are there any restrictions you’ve come up against that limit what you can do with your content marketing campaigns? If so, how have you combatted that?

The only limits are those we place ourselves, when we limit our own creativity or imagination. Of course, there are technical limitations or financial boundaries we can’t cross but these only limit our ability to execute the ideas in the way we initially intended. There’s nothing stopping us from executing them differently.

When you look at what we’ve produced over the past few years, the scale, innovation and ambition we’ve demonstrated, you clearly see we live and breathe our country’s motto: Impossible is Possible. We thrive on these three words.

 

Why do you think there’s been a growth in content-led advertising campaigns over the last few years?

Capturing and retaining people’s attention, when there is an avalanche of messages and sources of distraction, is the real battle for marketers. This is particularly poignant when attention spans are dropping to levels below those of a goldfish, at around eight seconds today. There is also a deficit of trust in a lot of institutions. Traditional messages, interruptive ads or communications are no longer cutting through the way they once did.

While personalisation helps, if done sensibly, what really gets through to people is content-based communications. Content gets you found, liked and, where applicable, bought. It builds awareness and credibility in a far less intrusive way than traditional advertising. What’s more, it’s shareable. It doesn’t matter if you don’t become viral, you will still expand your audience when people share your content with their friends and followers.

Brands are thinking and acting more and more as publishers. If they put their audience’s needs first, they stand to get levels of trust, affinity, attention, and preference ad campaigns can only dream of.

 

What are the biggest changes you’ve noticed in content over the last five years and what sort of trends do you expect to see in the future?

Like most things, content has moved from print to digital platforms. We’re therefore focusing more and more on audio-visual and, interestingly, voice, with podcasts. While social media has led to the bitesizification (wish I could trademark this) of content, I do believe there is also a place for long-form. Look at the performance of documentaries.

Obviously, while content is largely used to build a brand and its affinity, including by championing causes or promoting social responsibility, marketers still want it to generate leads or sales. We’re probably going to see more efforts in this direction.

Another aspect is the deprecation of third-party cookies on Chrome and the focus on first-party data it will eventually generate. Marketing to a database of known consumers or visitors will heavily rely on content to push people down the funnel and rely on its shareability to contribute to audience expansion.

 

With a recession potentially on the horizon, do you think now is the right time for brands to invest more heavily in marketing or will we see the industry cutting back?

Typically, with any signs of economic contraction and lower revenues, most businesses respond with cost-cutting measures. Some will go further and reduce or delay investments. What appears to be financial prudence could actually be the corporate equivalent of shooting yourself in the foot when it comes to marketing.

With every crisis or downturn marketers go through the same debate, should we/shouldn’t we, with agencies and industry associations trying to convince the others about what course to take. There is ample evidence that short-term budget-cutting reactions are never as effective as long-term investments for brands – or the economy. Brands that keep on investing through a crisis bounce back better and maintain or grow their share better than those that cut budgets

A downturn also presents opportunities to invest in your brands with better commercial conditions and less competitive pressure. I am not advocating recklessness of course, just looking outside the box and a bit of bravery. Call it a leap of faith.

 

What do you think the specific challenges will be for your sector in the year ahead?

Besides a general contraction in revenues and therefore budgets, possibly, we’re likely to see a lower appetite for international investments and possibly tourism, with inflation cutting into budgets. It’s nothing we haven’t seen before though, and certainly not as unexpected as the pandemic. We have a built-in resilience, I feel, in our economy. Every time, we’re returning to pre-crisis levels faster than the previous downturn. We may get bruised, but we don’t get scars, which is a good thing.

In terms of communications, as tech makes everything immediate and accessible, government communications need to become much more two-way, fast and effective. This is particularly true for Gen Z consumers. Rather than campaign-based, we’re adopting always-on more and more.

 

One of the reasons you were nominated for the award was because of the transformative way you approach communications, behaving more like a brand than an institution. What’s the one piece of advice you would give to your peers in other government institutions?

Creativity is not just for commercial brands but also for public sector brands, which often have a greater purpose to fulfil. From nation-building to branding, from philanthropy to public diplomacy, from small trips to interstellar missions, we’ve transformed the way the UAE Government communicates. And it’s won multiple awards at some of the most prestigious festivals. How did we achieve this? We went All Out.

First, we OutEmphathised: we became people-centric to always humanise our communications and ensure they are meaningful. Second, we decided to OutThink: we became bold, unique, distinctive and brave enough to test, experiment and dare to truly innovate and capture attention. We also OutCared: we found and pushed a greater purpose in our work. Finally, we OutCollaborated: we developed many collaborations with partners, not suppliers, who share your vision and contribute multiple perspectives for better results.

At the UAE Government Media Office, we ensure the strategic communication needs of the government are met, helping it communicate with its domestic and international audiences on a broad range of challenges and initiatives. This includes working on the Emirates’ nation brand. We’re particularly focused on soft power and public diplomacy strategies, managing the visual media identity, and managing media campaigns for strategic national projects and official events. At the Mohammed Bin Rashid Al Maktoum Global Initiatives, we ensure the success of philanthropic and developmental campaigns through smart media ideas and activations.

 

Finally, what campaign are you most proud of and why?

I have a soft spot for the World’s Tallest Donation Box. The idea was to sell each LED light on the façade of the Burj Khalifa, the tallest building in the world, to raise money for the 10 Million Meals campaign. We gamified the humanitarian campaign by putting the Burj Khalifa on sale. Each one of the 1.2 million lights was sold, providing 1.2 million meals to people directly or indirectly affected by the COVID-19 outbreak across the country. This shining display of social solidarity and cohesion brought hope and smiles to people who needed it the most.

Institutions, companies and the general public bought one or more lights for 10 AED ($2.7) each. One light would provide one meal. The skyscraper’s 1.2 million lights turned it into a beacon of generosity. This got global attention and the media around the world featured the story and images of Burj Khalifa powered by kindness. This is marketing as a force for good.

This campaign has been a massive success, providing meals for the needy, positive PR for the UAE, contributing to building the nation brand, and gaining an impressive number of awards (70 in total). More importantly, it helped the 10 Million Meals campaign exceed its goal by over 50%, raising enough funds to provide 15.3 million meals to low-income families and individuals impacted by the pandemic.

 

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