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Nicky Owen in conversation with Arif Durrani, Media Consultant

Welcome to My Media Life, where we chat with the movers and shakers in the worlds of business and marketing to find out what the media industry means to them, their advice for those starting out today, and personal insights into their sources of inspiration and motivations.

This month, we’re delighted to be joined by Nicky Owen, Global Head of Marketing Initiatives at Credit Suisse. Below are extracts from our longer conversation – you can watch the full interview above or listen to the podcast here.

What does the media industry mean to you?

I think it’s a perfect combination to me. I was bullied at university into trying to have a career in accountancy and I had placements in my long summer breaks at accountancy firms, which I did enjoy, but realised my heart wasn’t really in it.

I think that the media industry is a perfect combination of creativity and bringing that sense of developing and creating, whether that’s advertising or planning or content, but also having all the numbers as well. So, to my mind, it was more creative than accountancy, but it also has some of that kind of rigour and analytics. I think it’s, it’s a fantastic industry to be in.

Storytelling itself, and (as I’ve always worked on the international side) being able to do that and understand different cultures and work with people from different cultures has been really stimulating. I can’t think of a better industry, regardless of what you’re studying at university, or if you’re early in your career. There will be an opportunity within this industry for you to find something that you can be passionate about.

What’s the one piece of advice that has helped during your career?

I started off at JWT (J Walter Thompson) and really wanted to work in planning. That’s how I started off, as a planner, because of the strategy and the creativity coming together.

My first boss said from day one: “Always take the meeting notes”. And I think that was really helpful because if you don’t have something to say, certainly starting out in your career, then you’ve got an excuse because you’re writing. You can clarify if someone’s made a point, so you have a role to play within the meeting, and then you’re then sending that to your clients afterwards. You have that contact; you start to build your relationship from day one. I think that’s really important.

I say it to people in my team now, in some ways contact reports and status notes might seem very dull, but they are your way of keeping track of projects and keeping you at the heart of them. So that was the first piece of advice, which I think still holds true today.

As a woman, I also had an interesting piece of advice from a WACL (Women in Advertising and Communications Leadership) event I attended fairly early on in my career. It was from women in the media industry who’ve been very successful, giving advice to other women. One of the pieces of advice, which sounds quite strange – and I can’t remember who said it, but it stuck with me – was, whistle!

Sometimes if you get frustrated, your throat closes up. So, if you’re on the back foot in a meeting or it’s not going how you want it to, or you’re in a negotiation and it’s getting a bit heated, if you can breathe out or, even better, leave the room and have a good whistle, your throat opens up and you get your voice back. And if you get your voice back, you get your confidence back and you start to get your control back. It sounds, really simple but it’s one that’s stuck in my mind.

Another thing someone said is to focus on your people skills. If you have a client or a colleague and you see something that you think might be of interest to them, send it – be helpful to people. Remember names; smile; have conversations. People do business with people, so if things are going well, then that’s great. If they’re not going as well, if you’ve got a good, strong relationship to base negotiations on, you will be in a stronger position. So don’t forget the soft skills.

What’s your favourite thing about your current job?

The variety. I think one of the things that I was worried about when I went from agency side to client side was, would I still get that variety? Obviously in an agency you’re dealing with different accounts – I worked across several accounts at the same time – so you always have variety. I was a little bit worried, but I needn’t have been. My days are very varied.

The other thing that’s interesting is I don’t know all the answers, so I’m always learning. I find it very interesting and it’s lovely to be able to build and have a confidence that you know what you’re doing, but at the same time to not be arrogant and think that you know everything.

What’s your secret talent?

I would say one thing is to celebrate success in others. So, I like to think that I can not only celebrate success in my own career, but also celebrate it in others. I think if you have a generous spirit, then it pays back to you. I take time to mentor people. I take time to try and help understand the career path of others who may be at different stages in their career and try and support others. And it will always make me feel good as well, so that investment in other people pays back.

If you’re kind and you’re interested in others, then people tend to pay back to you. So, I would hope that my secret talent is that ability to celebrate success when you see it in other people, and to try and stimulate that as well.

What advice would you give to someone starting out in marketing or media today?

Don’t have preconceptions. Don’t make decisions on something. So, you could have an interesting sector or client that you’re working with, but the job might not be so interesting, or the job might be really interesting in what you think is a dull sector.

One of the biggest learnings that I made was don’t have an excuse. Don’t say “Oh, it’s okay for them because they’re in a really interesting industry” or “It’s okay for them because they’ve got a really good job”. Take ownership yourself.

A great example of this was when I worked on a project in consultancy, with a company that manufactured concrete slabs. Not what comes to mind when you’re thinking about innovation projects – it was an innovation task. However, they were probably one of the most openminded, forward thinking organisations I’d ever worked with.

Where do you get your daily news from?

I’m a bit of a news junkie. In the morning I have BBC News on, either the news channel itself, or Breakfast TV whilst getting the kids ready for school. I tend to steer towards BBC for news and Channel 4 as well in the evening. In terms of other publications that are slightly broader current affairs, The Economist definitely, Time, the Financial Times as well.

I’ve set up a lot of alerts. I think, like everyone, we don’t have enough hours in the day and it’d be lovely to just sit there and absorb news. I get alerts from WSJ, the FT, Moral Money. I spend a lot of time on sustainability so Moral Money is a really good one for me.

Wall Street Journal – I get their marketing. So again, picking different newsletters for different aspects of my role. The business staples like CNBC and Bloomberg – looking at those the ongoing and the real-time streaming.

Also, the more in-depth programmes. I listen to some of the CNBC podcasts if I’m doing my gardening. I tend to put a podcast on when I’m doing my relaxing things. I guess it’s having to be broad, but also curated, because I just don’t have the time to be scrolling through all the things; I need to cut to the headlines and then dive into things where I’m a bit more interested. So there are lots of alerts set up to try and manage that.

Which media brands are most important to you?

My Sunday Times. So The Sunday Times is my ritual. As a northerner, I have to drink lots of cups of tea or I fall over. So, I have a big pot of tea on a Sunday and sit there and [read] cover to cover. My children know not to disturb me whilst I’m reading The Sunday Times. My husband finds it very strange that I have the paper version of it delivered to the house. He keeps saying just do it on your iPad, but it’s not the same. It has to be laid out on the table with my tea and I’ve done that for many years. I find it’s a really good roundup of lifestyle recipes through to business, through to investments, etc.

The Sunday Times is probably the most enjoyable out of everything that I do. The other place I go to is Harvard Business Review. Every month I’ll have a coffee and have a look on it. And every single time I find something that I can learn and apply, which is quite rare these days. So, Harvard Business Review is another one that career-wise, and also in terms of people management, I find really helpful.

In addition Netflix. Certainly over the last few years, the ability to watch whenever, fits into lifestyles. Interestingly, even working from home, you certainly worked far more hours. So being able watch where and when just to get a bit of relaxation – it seems frivolous, but it’s actually an important part of that disconnection from your work in the evenings.

And then obviously social media, so LinkedIn daily, and Instagram tends to be for retail therapy and inspiration.

How do you switch off?

I’ll probably switch attention more than switch off. I get bored quite quickly. Someone once said to me that there are two types of people in this world: people who relax by being passive, sitting or lying down on a sunbed and reading a book; or you can relax through movement.

I find meditation through movement – so things like gardening or hiking, walking, or Pilates. I very much relax by doing something, so I’m getting the movement. If I sit down, I start looking around and thinking, oh, I should probably be doing something else. The idea about meditation through movement for me, and getting outside to get fresh air, is really important.

Who, or what, inspires you?

I find inspiration in lots of different places. I had some medical issues last year from Covid and I was so humbled and inspired by the medical people that I interacted with. I found that their patience and grace under pressure really made me think about when I’m having a slight tantrum moment! I find it very inspiring to see others who are really good at their job, and do it in a way where you think, that’s awesome.

I also find inspiration from people who are visionaries. I do a lot of holidays in places like the Lake District, outdoors, so people like Octavia Hill, who was one of the founders of the National Trust, along with a couple of other people in 1895. She had this quote, which says the need of quiet, the need of air, the sight of sky and things growing is basically a human need.

I still find that inspirational today. Every time I go somewhere, I think someone had that vision and set that in motion, so that there are places we can go to today and that carries on – I just think it’s extraordinary.

I’m also inspired by the work we do with One Young World and Kate Robertson. She was one of the founders of One Young World, which is an organisation predominantly for people under 30, basically for young leaders to get together. There’s an annual summit and every year we send a delegation from Credit Suisse, and lots of other organisations send them, and people get sponsored as well.

I find Kate’s energy, her vision, her desire to bring change in the world and to understand human nature, using social media, bringing people together, I find her fantastic. I can’t wait to attend the summit again this year in Manchester in September.

And one little personal story: I love the idea of ‘mini adventures.’ One weekend, we hired a boat and were sailing up the Thames towards Windsor. There was a loch where you can all come together, so there are very big boats, lots of lovely leisure cruisers, and we were tied up alongside this very small wooden boat with a little tiny cabin on it. Everything on it was bright green. It was called Sprout.

We were chatting to the guy, a quite elderly gentleman. And he explained he’d retired, and his wife had passed away, and he decided he needed to have an adventure in life. So, he bought this boat that was cheap, which is why he’d painted it all green because it obviously needed loads of work and it was easier to just coat it all in a thick layer of paint!

He’d navigated from the source of the Thames out to the mouth of the Thames and was going back up again. He was stopping and seeing whatever life brings on the way. And I thought, That’s amazing. It’s not a grand plan; it’s not impacting anyone else, but he’s doing something and having an incredible adventure along the way. One day I want a Sprout.[/vc_column_text][/vc_column][/vc_row]

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Josh Krichefski in conversation with Arif Durrani, Media Consultant

Welcome to My Media Life, where we chat with the movers and shakers in the world of business, marketing, and media to find out how they spend their days and what has influenced their lives. This week, we’re delighted to be joined by Josh Krichefski, Global COO & EMEA CEO, MediaCom.

You’re following Sir Martin Sorrell who you worked with for quite a few years and. Are you still in touch?

I’m not in contact with Martin anymore, not for any specific reason. Martin was a brilliant leader at WPP, and massively helpful when he was running the group. He’s quite famous for being always on and always available, and he was for people like me when we needed help on clients or pitches. He was excellent, but obviously we don’t work together anymore, and now we have a brilliant WPP CEO, Mark Read, who’s equally helpful, and WPP is doing well under his leadership. And S4 Capital’s doing really well too, so Martin’s doing great things in his new life.

What does the media industry mean to you?

I’ve worked in the media industry for 24 years now and I’ve always been on agency side. I’ve done all sorts of different roles within agencies. I had my own agency at one time; I’ve worked for independent agencies; I’ve worked for group agencies. I’ve always been grateful for all the different opportunities that I’ve had over the years.

I think the media industry is filled with brilliant, creatively minded people, who have got their feet on the ground. I think that’s quite a universal trait of media industry types – down to earth, smart people with small egos. And that’s what we look for at MediaCom when we’re hiring people. I think the industry is full of people like that. I feel I owe this industry quite a lot.

Is Global Chief Operating Officer an internal facing role or are you seeing clients as well?

I don’t think anyone in an agency doesn’t work with clients in this day and age. I know COO could mean so many different things for different people and in different types of companies. Really, I’ve got two jobs, I’m global COO and I’m a EMEA CEO.

The EMEA role is working with the local markets and all of the local market CEOs. I have a central team of specialist leaders, and together, we work with the local markets finding ways to surface all of the innovation and smarts and spread it across the region as much as possible.

We’ve got a very strong network culture. I speak to the local market CEOs together every two weeks. That’s a benefit of what happened in the pandemic – technology brought us all together and we’ve kept that going. We have a very open dialogue where we will talk to each other a lot. That creates a culture where everyone will do things for each other; nothing’s done through force. People genuinely want to help each other out. My role is to try and facilitate that and try to create a culture where people want to help each other out.

Obviously, I’m very competitive. My biggest KPI when I took over the CEO of EMEA role was always to make sure that MediaCom was the number one agency in EMEA, and we are! That’s about driving new business, both locally and at a regional level. I’m client facing, so I have a relationship with all our lead European clients.

My global COO role is about trying to balance global objectives with local realities. We have lots of important global clients, with global client needs, and those global clients execute in the 96 different markets we’re in across the world. Often, the objective of a global client and of MediaCom globally might be different from what a local market reality is. My job is about trying to harmonise that as much as possible, and particularly across the G12, our biggest 12 markets.

That’s a part of the COO role. The other part of it is making sure we’ve got strong global client hubs in London, New York, Paris, Dusseldorf, Amsterdam, Singapore. My job there is about making sure we’ve got strong leadership in all of those different places and that wherever they are, they’re going to get the same experience.

What’s your favourite thing about your current job?

I love working with local markets – I really do. I’m going to Madrid today. I love meeting people on the ground, our clients, our leaders and our teams – I really enjoy that. And I’ve missed it massively.

I also really love having a global footprint and being able to make decisions with the team, with Nick Lawson, my boss, and with the people around me that really impact the globe. That’s what I love about having a global job.

The media business has expanded significantly in the past 25 years. If you were starting out in the industry today, where would you like to begin?

The first job I ever had was as a TV buyer. I then went into planning, then I joined a strategy consultancy at St Luke’s, the ad agency, and then I went into digital. So, I did a few things that were really good grounding before going into digital.

In answer to your question, the great thing about our industry is you can do anything, and then you can move to something else, and all the experiences that you have in whatever specialism you do are valuable. So, it doesn’t really matter – there is no wrong decision – and that’s why it’s fun.

I was on a call earlier today with our UK team and over the last 12 months, they’ve established, quite quickly, a scaled e-commerce offering where they do everything in e-commerce and they’re doing it at pace and at scale. They’re starting to service some of our global clients out of the UK and other markets.

Now, what I love about that is it shows the entrepreneurialism of a scaled operation that we’ve already got at MediaCom, so that entrepreneurial spirit is still there. When you were asking where I’d like to begin nowadays, the first thing that popped into my head is that e-commerce is a great place to be right now. But it doesn’t have to be [a starting place]; you can move into that down the line as well. My advice for anyone coming into the industry would be to just try and find something that you think is interesting and get into in, and the world will open up for you to try different things.

What do you think your own superpower or special talent is?

Well, the thing I have always had, that’s been very consistent in my life for as long as I can remember, is I’m a pretty good judge of character. I have a pretty good feel for people. My wife and I joke about it quite a lot. She often comes to me to get my perspective on things, and that’s something that’s always been true to me and is true in my career as well. I think I just get people.

What’s the one piece of advice that has helped you in your career?

The thing that I learned quite early, and that I say to other people, is to take yourself out of your comfort zone as much as possible. It feels like quite an unnatural thing for people to do, but it’s the thing that I did. I always put my hand up for stuff that I naturally felt like I didn’t want to do.

If someone said, “Do you want to work on this pitch?’ for example, I’d say yes, even though I didn’t want to work on it, I wanted to hang out with my mates! But I’d put my hand up and say yes, to stretch myself, push myself and make myself feel uncomfortable.

I think that was the best thing that I could ever do. And it’s the thing that I still do now, actually. When I talk to Nick [Lawson, Global CEO of MediaCom], he will often say what he likes about working with me is that I throw myself into the stuff that’s really hard – I get a bit of a buzz off it. That’s what I encourage people to do as much as possible because that’s when you really learn what you’re about. When we’re growing, that’s when we’re at our best and we should always be growing.

Where do you get your daily news from?

I’d love to be more of an internationalist than I am but I’m all about UK media, honestly, when it comes to the media I get my news from. I occasionally read The Guardian and the FT online, particularly during the week, if I’m traveling.

I always read the Saturday Times and the Sunday Times, which come to my house at the weekends. I listen to Radio 4 in the mornings, less so if I’m traveling, but I like to listen on the way to work to the Today Programme. I’ve got Sky News on constantly and I often have Sky Sports news playing on the TV during the day. For industry news, I tend to read Campaign, The Drum and Ad Age.

In terms of media brands now, which are most important to you?

I think the US streamers are getting more important in everyday life. I watch TV and I watch drama a lot and it’s coming from all US-based streamers now. So that’s taking up an increasing amount of time in my day-to-day life.

The media brands that I’d call out are probably more UK ones where I live and where I consume my media. Sky is always the first one that comes to mind, partly because they’re my client and have been for over 10 years. I’ve got a very close relationship with them as a company and as brand, and I want them to be successful.

I’m also quite impressed by their culture. I talked about a scale of business that is innovative and entrepreneurial. I think they are a very innovative company and a disruptive company and yet they’re a scale company. I love them. They challenge us and reward us in equal measure so they’re an important media brand to me.

I come from a family of Lovies. My dad was a drama TV producer, my brother is an actor, and his wife is Abi Morgan, who’s a playwright / film writer. I can watch TV drama all day long and I love any kind of media broadcaster that creates good drama – and I’d say loads of them do now actually. I’m probably not loyal to one brand more than another, but I think all of the commercial broadcasters are doing fantastic work in drama right now.

Channel 4 is a company I admire. They’re very focused on inclusivity, now more than ever; it’s uncompromising and it’s incredibly impressive. I think some of the work that they’ve done over the past 12 months has been amazing.

I like Global. Like Sky, they’re a company that has quite a forensic approach to the customer experience and it’s always interesting to see how that, as a media brand, is evolving.

When I think about the digital brands, I probably spend more time with Google and YouTube than any of the other digital players. I don’t spend that much time on social media. Obviously, I recognise how important social is in the world of media now and what impact it has on people’s lives, both positive and negative, but personally, I don’t spend that much time on it.

How do you switch off from always being on?

I struggle if I’m honest. Like most people, I tend to think too much, and when things are stressful and I’ve got a lot going on with work and I’m feeling anxious, I suffer from insomnia. I get bouts where I can’t switch off in the middle of the night.

The US is quite big part of my role, and when I’m spending time with the US, I have to work quite late into the evening. I struggle with switching off at night and switching off for me in the evening is really important. I meditate, I practice yoga. I go to the gym, I read, I cook. I watch loads of TV – probably too much TV!

I really like podcasts – the ones that are just like chats. I’m not into true fiction stuff, but the podcast I’m loving at the moment is Smartless – it’s hilarious! I love things that make me laugh because things that make me laugh chill me out. I’d recommend the Smartless podcast to anybody. It’s three actors who hang out with each other. One of them invites an A-list celebrity onto the podcast and the other two don’t know who it’s going to be, then the three of them interview that person and rib each other while they’re doing it. It’s brilliant; really funny and I’d recommend it!

Who or what inspires you?

I’m surrounded by people who are smarter than me, both at home and at work. I’m inspired by everyone around me really. I work with all the specialist leaders who are world-class at what they do. I’m constantly surprised and inspired by them.

I also worked with all our local CEOs who are amazing, and we deal with some of the most innovative clients in the world. So again, I’m constantly learning when I’m dealing with people and I’ll often pinch myself and say, I can’t believe I’m talking to people like this, and I get to spend my days with them.

And then at home, my wife is a real inspiration for me. I talk about personal growth and I’m always growing with her. I’m very lucky to have her and my kids to keep me on my toes and keep me humble. I’m the least important person in the house and they make me realise that every day. I’m very lucky. I’m inspired by people, day in, day out.

Do you feel like a seasoned old timer now or are you still as passionate about the media business?

I feel like a pretender. I don’t feel like a seasoned old timer. I’m probably a little bit seasoned, but I feel like I’ve still got so much to learn, and I’ve still got a lot to give. I’m really excited about the future, genuinely. I think our industry is thriving right now and I think there’s so much change happening. And it’s incredibly exciting. And I think there’s a lot of stuff for us to do to be better. In terms of diversity and inclusion, there’s a long way to go. I think there’s a lot more that we, as an industry can be doing for society but I’m excited by that challenge. I feel really good about where we’re going.

If your children wanted to go into the media business, would you encourage it?

I would. I might not have always said that, but I definitely would say that now – it’s the land of opportunity!

Thanks so much for your time today, Josh, we appreciate how busy you are and it’s been great talking to you.[/vc_column_text][/vc_column][/vc_row]

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Sir Martin Sorrell in conversation with Arif Durrani, Media Consultant

Welcome to my media life an exciting new feature from the World Media Group. We’ll be interviewing some successful and interesting media and marketing leaders from around the world to get an insight into their career and some of their personal motivations. Stay tuned for some top tips and interesting insights!

Who better to start this global initiative with than arguably the most globally connected, internationally successful marketing leader of our time? The founder of S4 Capital and WPP, of course, none other than Sir Martin Sorrell.

So, what does the media industry mean to you?

What it means to me is ‘fun’ and ‘interest’. My dad said to me, “Find an industry that you enjoy and then find a company inside that industry that you enjoy. Build a reputation in it, and then, if you fancy, around the age of 40, go off and do something on your own.” My dad didn’t do that, because he worked in the same company for the whole of his working life. So, I would say, the answer to that question, is that the media industry is really interesting.

When I went into it with, I went [to Saatchi] in part, because I liked the industry and it reminded me of the sports and entertainment industry. The only barrier, particularly in the UK, was not about connection or who you knew, but the strength of your latest idea. You just needed a phone and somewhere quiet you could take or make a phone call. So that’s the reason – fun and interest; demanding, enticing, fast-moving and all those things. And virtually zero barriers to entry.

What’s the one piece of advice that has helped during your career?

Although it’s counter intuitive to what people get told now, it was sticking with the company and building. It’s not what people do now – people flip from flower to flower. Maybe corporate lives are so short now, it’s the right thing to do. But I think the best advice was to focus on something that you find enjoyable.

Mark McCormack, the founder and chairman of IMG, was a scratch golfer and he took his hobby into work. He met professional golfer Arnold Palmer at Wake Forest university and Arnold needed somebody to manage his contracts, so he decided to do that. The boundary between work and play was almost non-existent. I’ve been fortunate enough not to regard there as being much of a barrier between the two.

If you were starting out today, where would you like to begin?

I think my horizons would be different. The UK is still a really important economy, but if you look at things globally, you have to focus on countries like the US, China and India, so my gaze would probably be different. If I was starting out, I’d probably go to the US. North and South America are full of tremendous opportunities, particularly South America. I’d also be seduced by what’s happened in Asia Pacific, despite the difficulties currently of going to parts of Asia Pacific or China. But China and India are critically important now and will be in the future.

Like most British people, I’m appalling with languages. If I were starting again, I would focus very much on code and technology and engineering, and also on languages, particularly Chinese, in addition to English, and maybe Spanish.

I was fortunate – I was partly educated (or miseducated as my mother used to say) in America, so I got more of an international view, if not a global view. (In the 1960s although the US talked about global business, Proctor at that time was a big multinational with 10 percent of its revenues coming from outside the US. Global business had not really mushroomed like it did when the economist Ted Levitt got to grips with it in the 1980s with his globalisation pieces.)

So that’s what I think I would do differently. I would certainly still do the education I did. I was lucky enough to get into a great university in the UK, and one in America, and to do it immediately. I didn’t do work experience, which maybe was a mistake – maybe the best thing would have been to have had two years of work experience in between the first degree and post-graduate. But apart from that one qualification, I think, that’s what I’d do [today].

What’s your favourite thing about your current job?

I think it’s the growth of S4. If I think back, Saatchi was about globalisation, WPP was about the continuation of globalisation and the beginnings of technology. The great thing about S4 is that we continue to grow – I think that’s the most exciting thing about it. I’m not looking at my boots – I’m looking at the sky.

I think the clients we work with and the fact that 50 percent of our business is technology or technology orientated is a spectacular advantage. And I don’t want to lose that advantage, so we will continue to maintain that technological focus. We’re not making technology, but we’re deploying it for our clients in the most effective way to grow their top line. The biggest issue our clients face is top line growth and we’re in the business of stimulating top line growth – not just theirs, but our own too. Your outlook on life is very different if you’re growing at 46 percent than if you’re growing at two or three percent.

What do you think is your own secret talent?

That’s a difficult one. I guess a bull-headed persistence! I don’t know whether that’s a secret or not. But it’s persistence. It’s not brain surgery, certainly!

Where do you get your daily news from?

When I wake up in the morning, I switch on Squawk Box, whether I’m in London or New York. So, I’m gazing at [presenters] Ross Sorkin, Quick and Kernen in the US. At the moment, they’re talking about Charlie Munger [the American investor]. Here, it’s {presenters] Steve [Sedgwick] and Geoff [Cutmore] and everybody at Squawk Box in the UK. And then I tend to read the daily financials online – I don’t read them physically anymore – so The Wall Street Journal and the Financial Times probably.

Breaking news I read throughout the day. There are some of the newsfeeds that I look at and I look at some of the general press – the New York Times or the Washington Post in the US or The Times or The Telegraph, The Guardian, or The Independent in the UK. I don’t read as many weeklies as I used to. I used to be religious about reading The Economist, the Investor’s Chronicle, Fortune, Business Week – all these I would go through page by page.

One of the things I find irritating about online is, I’m of an age where I worry about whether I’ve looked at every headline. So, through the day I pick up the newsfeeds, and then in the evening, before I go to bed, I watch Newsnight in the UK. In the US, it used to be Charlie Rose [former televisions journalist], but it it’s a bit more difficult to find the parallels. There are the news services there that I’ll drift off to sleep watching. But here, it’s nice to go to bed with [Newsnight’s] Emily Maitlis!

Which media brands are most important to you?

Well, the ones that I’ve said, and it would tend to be CNN when I’m traveling. Bloomberg, I use quite extensively as well. In South America – Argentina, in Uruguay and Colombia, where I’ve been just recently – access to CNBC is a little bit more limited, so I tend to look at CNN and Bloomberg more. It tends to be the financial brands that I focus on most. I listen to radio at bit. When I walk to work, I might listen to Bloomberg Radio or Times Radio (Goodness knows why they don’t take advertising, but maybe that’s to come). So, I listen to some news brands, but essentially it tends to be around the financial or daily newspapers.

I don’t suppose you have time for any podcasts in your life, do you?

I do, occasionally. Scott Galloway – I like that. I mean, it got a little bit too much: the rants [between] Kara Swisher [Tech Journalist] and Galloway [NYU professor] every week were good, but it doesn’t matter what they’re talking about, the tone is the same, so it gets a little bit tiresome after a while. But it’s quite entertaining, quite fun and good practice if you ever get into a conversation with Scott Galloway, which I recommend you don’t – he can be extremely difficult!

How do you switch off?

I don’t! There’s the Shankly quote, which I haven’t used for a number of years, something to the effect that football is not a matter of life and death – it’s more important than that. S4 is not a matter of life and death, it’s more important than that. So, the answer is, I don’t.

You’ve never seen the boundaries between so-called work and so-called lifestyle? Is it one and the same for you?

I think that’s fair. And I think that, probably, some people find that rather tiresome. But yes, I think that’s true. Remember what my dad said – you should do something that’s fun. It’s not work; it’s what you’re interested in. You asked me about why I’m interested in the industry: because it’s interesting, stimulating, it’s ever-changing, fast-moving. You wake up in the morning, you read what’s in your email feeds or texts, and things you didn’t think were going to happen when you went to bed the night before have happened.

The other thing about our industry is that it touches so many things. It touches society, culture, politics, every corner of the world, every nook and cranny. So, it’s relevant everywhere, every country, in every region, in every area of activity – it can be to B2C or B2B; it could be government. It’s just all embracing. So, it’s a great industry from that part.

The problem is there are still so many people that look back with rose-tinted spectacles to what happened many, many years ago, whether it be in the era of Mad Men, Don Draper or whoever. But it’s really interesting and it never fails to entertain and stimulate, and it’s not boring!

Finally, who or what inspires you?

My dad, obviously, and then a man called Sir Jules Thorn, who founded Thorn Electrical, [one of the UK’s largest electrical businesses] was a mentor. He came from Vienna between the two wars, an Austrian émigré, founded Thorn Electricals and built it up into a wonderful company – it’s no longer, unfortunately, but it was wonderful. And then, Arnold Weinstock, [the business man] who built the English GEC.

These are two people, my father knew because he was in the radio and electrical industry, so it was really through him that I met them. I had the opportunity of talking to Weinstock several times before he died, and about what he did and what he didn’t do. Also, Phil Reese, a lawyer at Davis and Gilbert, one of the leading advertising lawyers, who was not just a lawyer or a counsel, but was a good friend. After my father died, to some extent he replaced him.

If you look around now, I think [Elon] Musk and [Jeff] Bezos are extraordinary. Not just because of what they’ve done with Tesla and Amazon, but the fact they’ve done it in multiple fields. I can just about focus on S4 or WPP or Saatchi’s, but I can’t conceive of anybody being able to do Tesla and go to the moon or Mars, and do a Hyperloop and everything else, and Bezos not doing dissimilar. Richard Branson [Founder of the Virgin Group] is similar in a way, but the scale at which Bezos and Musk have operated at is extraordinary.

Somebody asked me yesterday how many companies in the FTSE 100 are in the hundred, most liquid companies, tradable companies in the world? And the answer is zero. Tesla – well over a trillion-market cap, one of six companies, I think, over a trillion – trades almost as much every day as major exchanges.

When one thinks about what these people have done, and they come in for some criticism in various aspects, but the ability of their minds to morph from one to the other. And Musk is even more incredible because he hasn’t retired as CEO of a Tesla. He carries on, yet he’s doing all the space exploration at the same time. Yuri Milner, the Russian internet investor, would be another one who has managed to stretch his brain to many, many other areas.

The other person I’d have loved to have met is Golda Meir [Israel’s first female Prime Minister] – I see that Helen Mirren is going to play her in a film. That’s probably the one person I’d have really liked to have met.

On that last question, you obviously know lots of the media entrepreneurs and giants of the day. Are there any one of those who stand out as being inspirational?

Rupert Murdoch [Chairman & CEO, News Corp], head and shoulders. You’d have to say Bob Iger [CEO, The Walt Disney Company 2005-2020] as well on the other side of that deal, but Rupert Murdoch’s timing is incredible. You’ve got to remember the roots of that company were in Australia, so it’s quite extraordinary. The fact that the Fox-Disney deal was incredible and look where it is now. He understood it was a global business and he was the first global media mogul.

I met somebody in Uruguay who ran one of the companies that Iger bought. I asked, what it was like? And she said the way that Disney managed creative talent was absolutely superb. If she needed to get anything done, if there were any blockages or whatever, all she did was, was called Bob and he would get it done. So, I would say for entrepreneur, Murdoch and then for manager / owner-manager, I would say Iger.

Thanks for your time, Sir Martin, and for launching My Media Life for us.[/vc_column_text][/vc_column][/vc_row]

[vc_row][vc_column][vc_column_text]Welcome to My Media Life, where we chat with the movers and shakers in the world of business, marketing, and media to find out how they spend their days and what has influenced their lives.  Here we speak to Atalanti Moquette, Founder, Giving Women.

What’s the first piece of media you remember?

The Cuban Missile Crisis – shows how old I am. Mind you I was 8 years old!

What are your most trusted media sources and where do you go to for inspiration?

The New York Times, The Economist, the New Humanitarian, The Times of London, BBC, HeidiNews.

How do you switch off from being ‘always on’?

I read fiction – it’s is my escape into other worlds, other lives,

How did you get to where you are today?

I am not sure where I am? Curiosity, a desire to give back, taking risks, always open to learning, working with young people putting myself in situations which are outside of my comfort zone, learning from others, being open and ready to share, passion.

What advice would you give to someone just starting out?

Get out of your comfort zone and find your passion

What’s the one source of media you’d take with you to a desert island?

A radio

Thank you![/vc_column_text][/vc_column][/vc_row]

Alex Delamain of The Economist and World Media Group explains how partnering with respected journalistic brands can deliver engagement, not just reach.

As SVP, global client partner at The Economist and president of the World Media Group, Alex Delamain’s role sits at the point of convergence between clients with marketing goals and a suite of respected media brands. As a result, she’s used to the balancing act required to create content-driven campaigns that audiences engage with meaningful ideas.
 
To dig into how she views best practice in this area, click on the link below:

Now lockdown measures have been loosened and consumers are hungry to return to ‘normal’ life, is this the right time to invest more heavily in marketing? And if so, are there any pitfalls brands need to consider before doing so?

I strongly believe, that investing in your brand awareness now is an opportunity you should not miss. Let’s all remember what brands are for: brands are holding devices of prior experiences for the user. Brands that are communicating during a crisis give stability and visibility and a certain comfort to their users – and that’s what consumers have been looking for here.

As a financial services brand – UBS is a wealth manager, the number one retail bank in Switzerland, and we have an investment bank and asset manager – we have seen markets going up and down in parallel with the pandemic and have had movements that have been almost unheard of. We’ve seen clients across the entire world seeking advice in these uncertain times.

In addition, you also owe it to your advertising partners, both the ones that are selling your space as well as the ones that are creating your creatives. We are part of an ecosystem. So, yes, this is the time you keep spending if you can.

 How do you feel the advertising industry will bounce back after the crisis?

I think some of it will bounce back identically. But it’s clear to me that the new normal will be quite different to what we perceived being normal in the past. Nothing will be the same but particularly high-quality brands will stay and adapt.

Change usually comes with opportunities. Just to give you one example: to stay in contact with our clients, virtually, in some markets almost daily, we have used our relationship with The Economist to promote our content library of 50 years of Nobel Prize winners. Now what’s interesting is that we asked Stiglitz, the Nobel Prize winner, to come in and give his opinion to a group of asset manager clients, and one-third of our global clients dialled in. This is a tremendous increase in terms of efficiency and effectiveness in how we bring thought leadership to our clients.

The financial services sector is not one known for brand bravery or innovation – how have you ensured that extra spark of creativity to ensure your brand stands out?

 Banking is actually a very innovative business, and very forward looking, picking up on shifting client demands. People may come in with a business case: “You buy a pair of shoes and I’ll donate another pair to someone somewhere else in the world who is in need of a pair of shoes.”

A banker who supports this idea, has an innovative client focus. And if you keep that same positive spirit in marketing teams, it is driving innovation. Seeing a virtual client event with strong client demand working, empowers the team to drive creative ideas even if other ideas might fail.

It’s also making sure you have the best people on all sides of your business –in your marketing team, with your agency partner, and your media organisations and media owners, and making sure that creativity feeds off each other all the time.

 What are the specific challenges in for the Finance Sector?

We are highly regulated. Disclaimers are often bigger than the ad itself. That limits what you can say, what you can do, the way you can say it, and in what way you can offer up a service, which is very different from other industries.

How does that level of regulation affect content marketing campaigns?

Churchill said, “If you’re going through hell, keep going.” And that’s how it feels. What you have to do is optimise the content so that it’s relevant and uniquely interesting – that stickiness is first and foremost. A couple of film studios have analysed that over the years, and if the movie is really great, you’re willing to look at it in black and white, or with a somewhat snowy picture, because you really like the content. This is very similar. If you think the content is worth it – take the example of interacting with Stiglitz– I’m willing to click that I’m aware that this is a bank in order to access that content.

Why do you think there’s been a growth in content-led advertising campaigns?

It goes back to relevance.When we relaunched the UBS brand in September 2015. We saw across all our media partners, a huge amount of click through. I remember we thought the click through formula was maybe misleading; that it was capturing a too long and too large engagement –it was many-foldmore than the average click through rate. What we discovered is that when people take a magazine or website like The Economist, Forbes or Fortune in their hands, they want to be in that moment and have some “me time” for a half an hour, an hour. The same was true for our campaign. It’s deep diving knowledge, reading, and exchange. If you see content that fits into that, you’re in the right mindset and therefore more people will click through. If content is king, context is queen.

You need to find the DNA of what is your uniqueness for your user base, what are they looking for, and how to serve that up in such a way that is understandable and digestible – I think that’s the difficult part for many banks and financial services.

The advertising headline that has worked the best over the last six months or so is: “Is the world always going to be as unpredictable as now?” And you can see why that’s relevant. You can see when it comes to our wealth managers that they might know more than I do, and I want to know about that for my portfolio. So, get the content right; get the level of excitement into a headline, and then people should be interested in what you have to tell them. Whether that’s a video or piece of copy, they won’t click away.

What are the biggest changes that you’ve noticed in content over the last five years and what sort of trends do you expect to see in the coming years?

Shorter formats, I would say is probably the biggest surprise. Because if you really believe in content then 7, 8, 9, 10 minutes gives you a good angle to a story – but that’s not necessarily true anymore. Then you look at podcasts which are about 20 minutes. It really depends on the situation you’re consuming in, and I think it’s safe to say it’s now predominantly a mobile world, so we’re seeing shorter formats and more informative content.

There’s a universal appetite to consume what you want to consume, however you want to consume it. If I’m on a mobile phone watching something and I want to ask questions, I want to be able to type if I’m in a public area, because I don’t want to speak, for example, about finances. If I’m at home, however, I might want to speak to the bot and want the bot to speak back to me. So, I think the world will move to a “type, a touch and a talk” format, regardless of the device in the next five years.

Part of the reason you were nominated for the award was to do with what you’re doing with best practice in terms of measurement – viewability, metrics, accuracy and audience targeting. How does that apply to content-driven advertising?

When you’re targeting wealth managers – perhaps only 1% of the world’s population, there’s a 99% chance that your advertising will go somewhere else. You get really good, along with your media partners and your agency, at optimising. This is not a short conversation; it’s an ongoing opportunity. And actually, it was always there – I remember when I worked for McDonald’s around the world, you would optimise your billboard campaigns for example, if there was a construction site in front of your ad so you couldn’t see it. You would optimise from flight to flight because things would change in the streets. This is similar; it’s constantly being on top of your numbers.

It’s first and foremost about your content. Think about social media: I might share something with you if it’s hilariously stupid, or if it is sensationally insightful. Anything in between, I probably won’t. The context is as important: where you place your advertising, as well as the people you reach. And the timing needs to be right. There are times when people are not looking at banking advertising – there’s a reason why most banks have quarters that are differently sized. When fitness clubs’ campaigns are being signed off, it’s normally January when people have made that New Year’s resolution to get fit again. You need to know when it’s the right time. You see it with some of the newsletters we’re all getting from various publishers – they know that you do something on a Thursday night or Saturday morning. There’s a mechanic that humans like to consume, and you have to take that on as well.

Then there are softer metrics – how much content is shared, how far are people watching into it? And there is the “like” although I still don’t know if we can actually calculate what a “like” or “thumbs up” or “thumbs down” on social actually means. Engagement also sounds so nice but what does it mean? We know that some of the social channels are fantastic at serving up your target group, but the people clicking the trigger all the time are the ones that you pay for. So, you want to filter those out; you want to get to the ones that are ready for consideration.

Tell us about you #TOGETHERBAND initiative and why you decided to develop that campaign?

At UBS, sustainable finance has been a critical component of our client offering and a strategic growth opportunity for over 20 years, and that’s why we are a clear market leader today.

#Togetherband was a great opportunity for us to raise the awareness on the UN Sustainable Development Goals. The more people that get involved, the more you can do good, and that means you need to get to a popular, mass audience. We’ve had a billion and a half engagements since April last year. You can see the number of celebrities that have joined the initiative.

What we do is led by our partner, BOTTLETOP: they pull ocean plastic out, they give people in very poor communities a job opportunity as craftsmen, creating the bands in a sustainable way and the entire funding of these will be returned into that cycle for the UN’s 17 Sustainable Development Goals. It was very clear to us that we wanted to be a part of that; it’s part of our DNA but it’s the right thing to do. It also felt like the right thing to do for our employee base – I’ve never seen anything internally kick so much off. We’ve had 40%+ of the employee base of 60,000 people on a global level building #TOGETHERBAND, and that’s not something we normally hear.

It has been very rewarding and it’s difficult because it’s a real start-up mentality – and if there’s one thing a Swiss 150+ year old bank maybe doesn’t always have, it’s a start-up mentality! But it’s been, and continues to be, a great opportunity.