Aaron-Robinson
Aaron leads the development of innovative cross-platform solutions and engaging, influential content for the global blue-chip client base at the Wall Street Journal having previously been part of the strategic mar-keting and client solutions teams at both Bloomberg Media and The Economist.

Q: Why is now a relevant time to be launching these awards?
Aaron: Content creation is proving to be a powerful tool for brands to deliver deeper engagement with consumers and global publishers are really starting to push the boundaries of how great stories can be told via content. There has never been a better time to highlight the best in content creation worldwide and showcase the ways in which brands publishers and agencies can unite to tell original stories that resonate with readers.

Q: What is different about these awards?
Aaron: The World Media Awards have been launched specifically to celebrate the best in international, cross-platform, content-driven campaigns.

Q: What does good native content look like?
Aaron: Great native campaigns leverage powerful content with the trust of a publishers’ audience. There must be a genuine connection between the two brands and the campaign must be executed in a way that is not seen to deceive the user. The best campaigns are those that have been both timely as well as delivered real substance that the audience can use. Above all ‘native’ must feel like it’s delivered in the voice of the platform it appears on.

Q: Why should brands use native content – what is it best suited to achieve?
Aaron: Content is a powerful tool for brands to deliver more than just product messaging. Content can allow the brand to own certain stories or themes and profit from that association. It also gives access to loyal audiences within trusted editorial environments. It has great potential to extend reach and deliver high levels of engagement that traditional advertisements sometimes cannot.

Q: Why are consumers embracing branded content?
Aaron: Done well, branded content can provide useful and insightful content that adds real value to the audience but the key word here is relevance. The piece must apply to the audience in question or it could be overlooked by the user – which is why the right partnerships between brands and publishers can be so powerful.

Q: What should clients look for in a native advertising/branded content proposal? And what should they look for in the team who will be delivering it?
Aaron: The most important aspect of any proposal is always the idea – the concept, hook or story you are trying to tell. The pitch needs to show how the publisher can help you tell the stories that matter to your specific audience, why it’s a unique and effective idea, and above all directly addresses both the business and communication goals of the client and helps solve their challenges. It’s also all too easy to overcomplicate things and throw the kitchen sink at briefs. Most times, the simpler the idea, the more impact it will have.

Q: How do you measure the impact of content-driven communications?
Aaron: Marketers are bombarded with a huge number of metrics they could use to measure campaign effectiveness, but the important thing here is that before you can assess how effective you have been, you need to be clear on what you are trying to achieve. And these objectives need to be smart, measurable and achievable. You can then use reach, engagement or conversion metrics based on these. I think the movement towards using engagement (dwell, interactions etc) over just pageviews and clickthroughs makes a lot of sense. Quality over quantity.

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Jane Grenier - google

Q: Are content-driven communications, customised content, native advertising, sponsored content, brand journalism, owned media and branded content the same thing?

Jane: No—but they can all be part of a well-rounded and nutritious content diet!

Q:Why should brands use native content – what is it best suited to achieve?

Jane: Native content that speaks the language of the platform that serves it is more likely to attract organically engaged prospects and to reinforce or shift brand perception.

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Chris-Carmichael

Q: Why is now a relevant time to be launching these awards?

Chris: Now is the perfect time to launch these awards. Advances in technology continue inexorably, and this creates homogeneous media behaviours. And whilst local nuances remain and remain important, at a macro level the marketing challenges faced by brands are universal. Recognising brands that navigate this complex landscape successfully seems only right!

Q: What is different about these awards?

Chris: The World Media Awards are different in that they place a premium on collaboration. Successful marketing across borders cannot be done in isolation, and the winners of the WMA’s will all have demonstrated an unparalleled ability to collaborate effectively.

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Damien-Marchi

Damien is an Emmy Award winning digital specialist with 15 years’ media experience connecting the content, platform, brands, TV and digital world. This includes developing and expanding the digital activities and revenues of companies Euronews and Fremantle by creating leading You Tube channels and strategies before running the content activity at Havas Media.

Q: Why is now a relevant time to be launching these awards?
Damien: With ad-blockers on the rise and traditional advertising models being challenged, content has never so much been at the top of the agenda.

Q: What is different about these awards?
Damien: No other awards focus so much on content marketing in a global context.

Q: Are content-driven communications, customised content, native advertising, sponsored content, brand journalism, owned media and branded content the same thing?
Damien: They are not the same thing. They are the Lego pieces, among others, available to advertisers to master their content marketing strategy. The mastery is not in using one or the other but in orchestrating all of them to achieve business objectives.

Q: What does good native content look like?
Damien: Good native content is at best when, from a consumer standpoint, it is as good as regular content and would look the same without the involvement of the brand and, from a brand standpoint, it achieves the objectives.

Q: Why are consumers embracing branded content?
Damien: Consumers are not embracing branded content specifically. They just enjoy content when it is good. It’s brands and branded content that are getting better at relating to audiences.

Q: What are the challenges and opportunities of integrating native advertising or branded content across different platforms – from print to video, from mobile to TV?
Damien: They key is in the orchestration of all platforms.

See more interviews / Judges’ views on what makes great, content-led, international advertising.

Enter your campaign by 29 January 2016!